Watch here: In conversation with Fabienne Chiang, Anthony Goicolea and Isaac Julien
Below you can find the video of yesterday’s RM Sunday Session with Fabienne Chiang, Anthony Goicolea and Isaac Julien. The two internationally renowned artists and Fabienne Chiang (Curator of Contemporary Art at the Stedelijk Museum in Amsterdam) will talk about identity and representation through photography and film. They will inquire narratives in the works of these artists, which expose, critique, and undermine power structures in society at large. In relation to our current exhibition, They will also discuss the theme of identity within the works of Erwin Olaf, as well as the multidisciplinarity of his art practice. The talk is moderated by Emil Lanz.
ABOUT Isaac Julien
Born in 1960, London, UK
Lives and works in London, UK and Santa Cruz, CA
Isaac Julien, CBE RA is a critically acclaimed British artist and filmmaker. In 2018, Julien joined the faculty at the University of California Santa Cruz where he is a distinguished professor of the arts and leads the Isaac Julien Lab together with Arts Professor Mark Nash. Current and recent international solo exhibitions include: Isaac Julien: Lina Bo Bardi — A Marvellous Entanglement, CentroCentro (Panorama Madrid), Madrid, Spain, on view until 29 August 2021; Isaac Julien: Lessons of the Hour, McAvoy Foundation for the Arts, San Francisco (2020–2021); Isaac Julien: Lina Bo Bardi — A Marvellous Entanglement, MAXXI, Rome (2020–2021); Isaac Julien: Western Union: Small Boats, Neuberger Museum, New York (2020); Isaac Julien: Frederick Douglass: Lessons of the Hour, SCAD Museum of Art, Savannah (2019); Looking for Langston at Tate Britain (2019); and Playtime at LACMA (2019). Julien has previously exhibited at venues including Museum of Modern Art, New York (2013), Art Institute of Chicago (2013), Museum of Contemporary Art, San Diego (2012), and Centre Georges Pompidou, Paris (2005). Julien is the recipient of The Royal Academy of Arts Charles Wollaston Award 2017 and was appointed a Commander of the Order of the British Empire (CBE) in 2017.
ABOUT Anthony Goicolea
Born in 1971 in Atlanta, Georgia, USA
Lives and works in New York
Anthony Goicolea (USA, 1971) is a first-generation Cuban American artist. He grew up in the Deep South of the United States of America, in the midst of the Cuban refugee crises, coupled with the advent of the AIDS crises, and the rise of the religious right. Goicolea was socially stigmatised for being Cuban, gay, and Catholic. These circumstances brought about a heightened awareness of social constructs, and the changing nature of identity in politics – a theme that continually influences his work. Goicolea explores themes ranging from personal history and identity, cultural tradition and heritage, to alienation and displacement.
His diverse oeuvre encompasses digitally manipulated self-portraits, landscapes, and narrative tableaux executed in a variety of media, including black-and-white and color photography, sculpture and video installations, and multi-layered drawings on Mylar. Best known for his powerful, and often unsettling, staged photographic and video works, Goicolea made his artistic debut in the late 1990s with a series of provocative multiple self-portrait images. These early works featured groups of young boys on the threshold of adolescence, acting out childhood fantasies and bizarre rituals of revelry and social taboo in highly staged domestic or institutional settings or dense, fairy-tale forests. Revealing a playful self-consciousness, they often consisted of complex composites of the artist himself, in all manner of poses and guises. Soon thereafter, Goicolea garnered international attention with his ambiguous, yet strangely compelling, landscapes, ranging from dream-like woodland environments to vast, unforgiving urban and industrial wastelands. The artist has created several series of digitally composited, and heretofore uncharted, topographies, often populated by bands of masked and uniformed figures.
In recent series, many of the images are devoid of humans, although the landscape reflects an anonymous and increasingly tenuous human presence. In these works, primitive lean-tos and crudely constructed shanties coexist in an uneasy union with the technological vestiges of an industrialized society. Suggesting a world on the brink of obsolescence, these chilling images further cement the pervasive undercurrent of human alienation—from one another as well as the natural environment—that can be traced throughout the artist’s work.
Anthony Goicolea has exhibited widely, notably at the Museum of Contemporary Photography, Chicago, Illinois; the International Center of Photography, New York and Museo Reina Sofia, Madrid. Goicolea’s art is held in many public collections, including the Whitney Museum of American Art, New York, NY; The Museum of Modern Art, New York, NY; The Guggenheim Museum of Art, New York, NY; The Brooklyn Museum of Art, Brooklyn, NY; Yale University Art Collection, Photography, CT; the Museum of Contemporary Art of Castile and Leon, Spain; 21c Museum, Louisville, KY, the Akzo Nobel Art Foundation, Amsterdam, and Cobra to Contemporary/The Brown Family Collection, among others.