RM Sunday Session: Joep van Lieshout and Edo Dijksterhuis in Conversation

Date: Sunday 28 November
Time: 2:00 – 4:00 PM
Location: Galerie Ron Mandos, Prinsengracht 282, Amsterdam
Spoken Language: English

Program:
Doors Open | 2:00 PM
Start of Talk | 2:30 PM
End of Event | 4:00 PM

Reserve your ticket for this event through the link below. Due to the current Covid situation, we have only a limited amount of seats available. We also require our visitors to show a valid QR code upon entering the gallery.

RSVP | TALK

For our upcoming RM Sunday session on Sunday 28 November, we have invited Joep van Lieshout and Edo Dijksterhuis to talk about the new exhibition EHBO by Atelier Van Lieshout. Edo Dijksterhuis – who is an author, art critic and  journalist for newspaper Het Parool – has known Joep, AVL and the work for a longtime. Together they collaborate on books and other projects.

Joep Van Lieshout and Edo Dijksterhuis will talk about their collaboration and discuss the stories behind Joep van Lieshout’s works. They will question the relationship of the artist with galleries, museums and other institutions. What does it mean to be an artist, designer, architect, and business developer at the same time? What are Joep’s ambitions and dreams as an artist?

 

ABOUT Atelier Van Lieshout

Atelier Van Lieshout is the studio founded by sculptor, painter and visionary Joep van Lieshout. After graduating at the Rotterdam Art Academy Van Lieshout quickly rose to fame with projects that travelled between the world of easy-clean design and the non-functional area of art: sculpture and installations, buildings and furniture, utopias and dystopias.

In 1995, Van Lieshout founded his studio and has been working solely under the studio’s name ever since. The studio moniker exists in Van Lieshout’s practice as a methodology toward undermining the myth of the artistic genius. Over the past three decades, Van Lieshout has established a multidisciplinary practice that produces works on the borders between art, design, and architecture. By investigating the thin line between manufacturing art and mass-producing functional objects, he seeks to find the boundaries between fantasy and function, between fertility and destruction. Van Lieshout dissects systems, be it society as a whole or the human body; he experiments, looks for alternatives, takes exhibitions as experiments for recycling, and has even declared an independent state in the port of Rotterdam AVL-Ville (2001)—a free state in the Rotterdam harbour, with a minimum of rules, a maximum of liberties, and the highest degree of autarky. All of these activities are conducted within Van Lieshout’s signature style of provocation—be it political or material.

Van Lieshout combines an imaginative aesthetic and ethic with a spirit of entrepreneurship; his work has motivated movements in the fields of architecture and ecology, and has been internationally celebrated, exhibited, and published. His works share a number of recurring themes, motives, and obsessions: systems, power, autarky, life, sex, and death—each of these trace the human individual in the face of a greater whole such as his well-known work the Domestikator (2015). This sculpture caused controversy before even being placed at the Louvre in Jardin de Tuilleries, but was adopted by Centre Pompidou where it was shown during FiAC (2017).

Van Lieshout’s works have been included in the Gwangju, Venice, Yokohama, Christchurch, Shanghai and São Paulo biennials. AVL is in part of the permanent collections of public and private institutions such as: Museum Boijmans Van Beuningen, Rotterdam; Stedelijk Museum, Amsterdam; Centraal Museum, Utrecht; Van Abbemuseum, Eindhoven; Bonnefantenmuseum, Maastricht; Museum Kröller-Müller, Otterlo; Museum Voorlinden, Wassenaar; Centre Pompidou, Parijs; Collectie Marta Herford, Herford; Stichting Prada, Milaan; FNAC, Parijs; Ludwig Forum, Aken; Folkwang-museum, Essen; Migros Museum für Gegenwartskunst, Zürich; MoMA, New York, en het Walker Art Center, Minneapolis.

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