Renie Spoelstra en Levi van Veluw | ZWART

Renie Spoelstra (1974) & Levi van Veluw (1985)
ZWART. Van houtskool tot high-res
11 december 2016 – 19 maart 2017
Museum Kranenburgh

In ZWART. Van houtskool tot high-res presenteert Kranenburgh kunstenaars die kleur laten voor wat het is. Ook al maken digitale technieken alle kleuren, vormen en bewerkingen mogelijk, de kunstenaars in ZWART kiezen juist nu voor eenvoud, voor restrictie en het contrast van donker en licht. Houtskooltekeningen, zwart-wit foto’s, wandreliëfs en sculpturen balanceren tussen abstract en figuratief, tussen het waarneembare en het onzichtbare.

Veel kunstenaars in de tentoonstelling zetten het zwart in om tot een zo kernachtig mogelijk werk te komen. Zij gebruiken het zwart op zoek naar een universele betekenis van hun werk. Renie Spoelstra gebruikt voor haar donkere landschapstekeningen vooral foto’s en films die ze op haar reizen maakte. Haar donkere panorama’s kennen een onderhuidse spanning waarin het landschap lijkt te wachten op wat komen gaat.

Deelnemende kunstenaars
Paul Beumer (1982) | Tom Callemin (België, 1991) | Karin van Dam (1959) | Florette Dijkstra (1963) | Bob Eikelboom (1991) | Anouk Griffioen (1979) | Arjan van Helmond (1971) | Awoiska van der Molen (1972) | Pieter Paul Pothoven (1981) | Renie Spoelstra (1974) | Levi van Veluw (1985)

 

KRANENBURGH
Hoflaan 26
1861 CR Bergen NH
info@kranenburgh.nl
T 072-5898927

www.kranenburgh.nl

ABOUT Renie Spoelstra

Renie Spoelstra’s arduous process of drawing always begins with a journey. For close to a decade, she has travelled to coasts, lakes and beaches throughout North America and Europe. Recently she visited the volcanic islands of La Palma and Iceland, looking for landscapes that evoke overwhelming existential feelings. Once she has found these locations, she films the scenes, and by using the stills from the footage, she is able to move on to the next phase of conveying a personal representation of a geographic location. Her work is never about the locations she depicts – no matter how beautiful they are. They are always about triggering emotions and associations that sharpen our senses.

Spoelstra uses film footage as a starting point for her charcoal drawings. The suede like and velvety texture is achieved by the many layers of charcoal, which are skillfully positioned on top of each other to re-create an almost cinematographic scene. The balance between darkness and soft beams of light is rendered through the many shades of black and grey, creating a notion that something may be lurking below the surface.

Spoelstra looks for an atmosphere, and it is this atmosphere that she tries to re-create in her drawings. The dark hues, empty landscapes and sheer size of the works evoke an existential, melancholic sentiment, and allows for the viewer to lose oneself in each piece. Although these works are reproductions of real places, and are not imagined sceneries, the soulful nature of the drawings, and dark depths, reveal a personal interpretation of the artist’s emotion.

Themes of intensity, secrecy and mystery are reoccurring in Spoelstra’s works. There is an alluring and mythical feel of a place. The series ‘Stretching Universe’ refers to the scientific fact that our universe is expanding, while here on earth it feels as though it is shrinking with the rise of xenophobia, narrow-mindedness and the continuous threats of climate change. Fleeing, or escaping to nature is not as easy as it may seem.

Renie Spoelstra studied at St. Joost, Breda and at the Academie Minerva, Groningen. She has exhibited in the Netherlands and abroad, notably at institutions like the Albertina, Vienna; Museum Boijmans van Beuningen, Rotterdam, and Stedelijk Museum Schiedam. Her work is included in renowned collections such as the Centre Pompidou, Paris; MACBA Barcelona; Stedelijk Museum Schiedam; Centraal Museum, Utrecht; Cobra Museum voor Moderne Kunst, Amstelveen; Museum Voorlinden, Wassenaar; the Guerlain Fondation, Paris, and many other (private) collections.

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ABOUT Levi van Veluw

Levi van Veluw was born in 1985, in Hoevelaken, The Netherlands
He lives and works near Amsterdam, The Netherlands

Since graduating in 2007, Levi van Veluw has produced multi-disciplinary works that includes photographs, videos, sculptures, installations and drawings. This varied body of work has been showcased in many different locations across Europe and the United States, earning him a number of nominations and awards.

The artist first became known in 2008 with his solo exhibition Landscapes at Galerie Ron Mandos in Amsterdam. This coincided with him being awarded the International Photo Award in New York for the photo series “Ballpoints”, and the selection of one of his video works for the Whitstable Biennale UK.

In 2010, the work of the artist was showcased in a series of major museum exhibitions, including the exhibition “Dead or Alive” at the Museum of Arts and Design in New York, the Museum of Modern Art in Arnhem and Ars Electronica in Linz.

2013 saw the publication of the book “Origin of the Beginning”. This singular book is a work of art in itself, published in an edition of 1000 hand-signed copies. The book, which is widespread among collectors and enthusiasts, provides an overview of the artist’s work from 2006 to 2013, a rich oeuvre that includes photographs, drawings, installations, sculptures and videos.

The work of Levi Veluw has been exhibited internationally in leading museums and institutions, and is included in both public and private collections, such as the Borusan Collection, Istanbul; Museum Voorlinden, Wassenaar; Museum MORE, Gorssel; the KPMG Art Collection, Amstelveen; the Ekard Collection, Wassenaar; the Lakeside Collection, Rotterdam, and Cobra to Contemporary/The Brown Family Collection. In addition to his work in his individual practice, Levi van Veluw has also worked on commissions for private clients. In this way, he has collaborated, in 2012, with curator Marc Coetzee on the film “Family” in the frame of the “Films4peace” project. In 2014, van Veluw created for Hermès a life-sized site-specific installation for one of their main windows in Shanghai. Van Veluw’s works have also been widely shown at international art fairs such as, among others, The Armory Show New York, Art Brussels, Volta Basel, Unseen Amsterdam and the Barcelona Loop Fair Barcelona.

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