Renie Spoelstra at the Laconica Bienal, Vilnius

Renie Spoelstra’s work Stretching Universe part 6, Fjord is on show in the capital of Lithuania for a group show called Laconica.
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The artists of the exhibition are like modern alchemists interested in extracting ideas and converting them into new and pure values. Some of the authors focus on such concepts as light and colour, seeing them not as divine abstract emanation but as independent, material, almost physically tangible objects. Others seek inspiration from nature, perceiving it as a fundamental, primordial “theory of everything”. Still others borrow images from their environment and reduce them many times, making them so dense and concentrated that they reach the state of singularity similar to the black holes.⁠
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Other artist in the exhibitions are: Jovita Aukštikalnytė-Varkulevičienė, Ina Budrytė, Andrius Erminas, Nerijus Erminas, Vaiva Frančiakaitė, Aurelija Maknytė, Jaromír Novotný, Eglė Ridikaitė, Birutė Stulgaitė, Takashi Suzuki, Gintautas Trimakas, Justinas Vaitiekūnas.⁠

⁠⁠Practical information:
Tsekh Gallery⁠
⁠Vytenio gatvė 6, Vilnius, Lithuania⁠
Opening hours: Tue-Sat 14:00 – 20:00⁠
The exhibition will run from 01.10.2021 till 04.11.2021⁠

ABOUT Renie Spoelstra

Renie Spoelstra’s arduous process of drawing always begins with a journey. For close to a decade, she has travelled to coasts, lakes and beaches throughout North America and Europe. Recently she visited the volcanic islands of La Palma and Iceland, looking for landscapes that evoke overwhelming existential feelings. Once she has found these locations, she films the scenes, and by using the stills from the footage, she is able to move on to the next phase of conveying a personal representation of a geographic location. Her work is never about the locations she depicts – no matter how beautiful they are. They are always about triggering emotions and associations that sharpen our senses.

Spoelstra uses film footage as a starting point for her charcoal drawings. The suede like and velvety texture is achieved by the many layers of charcoal, which are skillfully positioned on top of each other to re-create an almost cinematographic scene. The balance between darkness and soft beams of light is rendered through the many shades of black and grey, creating a notion that something may be lurking below the surface.

Spoelstra looks for an atmosphere, and it is this atmosphere that she tries to re-create in her drawings. The dark hues, empty landscapes and sheer size of the works evoke an existential, melancholic sentiment, and allows for the viewer to lose oneself in each piece. Although these works are reproductions of real places, and are not imagined sceneries, the soulful nature of the drawings, and dark depths, reveal a personal interpretation of the artist’s emotion.

Themes of intensity, secrecy and mystery are reoccurring in Spoelstra’s works. There is an alluring and mythical feel of a place. The series ‘Stretching Universe’ refers to the scientific fact that our universe is expanding, while here on earth it feels as though it is shrinking with the rise of xenophobia, narrow-mindedness and the continuous threats of climate change. Fleeing, or escaping to nature is not as easy as it may seem.

Renie Spoelstra studied at St. Joost, Breda and at the Academie Minerva, Groningen. She has exhibited in the Netherlands and abroad, notably at institutions like the Albertina, Vienna; Museum Boijmans van Beuningen, Rotterdam, and Stedelijk Museum Schiedam. Her work is included in renowned collections such as the Centre Pompidou, Paris; MACBA Barcelona; Stedelijk Museum Schiedam; Centraal Museum, Utrecht; Cobra Museum voor Moderne Kunst, Amstelveen; Museum Voorlinden, Wassenaar; the Guerlain Fondation, Paris, and many other (private) collections.

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