On View: Renie Spoelstra at Naples Art
We are happy to let you know that a work by Renie Spoelstra is included in The Artist’s Hand: Selections from The William Louis-Dreyfus Foundation, on view until October 30. The exhibition, curated by Frank Verpoorten, executive director and chief curator of Naples Art, features work from 70 artists represented in the Foundation collection. The exhibition provides an exciting and insightful overview of the artworks William Louis-Dreyfus collected with such inspired dedication throughout his life.
Renie Spoelstra’s charcoal drawings are based on photographs or video stills of anonymous places such as recreation areas, which she reinvests with meaning to create a disquieting presence. The drawings verge on darkness to the point where the image is barely discernable, giving them a cinematic, highly charged quality and a sense of intensified feeling.
Absorbing, Random Observations (from Train) #5, 2014
Charcoal on paper
40 x 50 cm
Louis-Dreyfus Family Collection
ABOUT Renie Spoelstra
The arduous drawing process of Renie Spoelstra always begins with a journey. For close to a decade, she has travelled to coasts, lakes and beaches throughout North America and Europe. Recently she visited the volcanic islands of La Palma and Iceland, looking for landscapes that evoke overwhelming existential feelings. Once she has found these locations, she films the scenes, and by using the stills from the footage, she is able to move on to the next phase of conveying a personal representation of a geographic location. Her work is never about the locations she depicts – no matter how beautiful they are. They are always about triggering emotions and associations that sharpen our senses.
Renie Spoelstra uses film footage as a starting point for her charcoal drawings. The suede like and velvety texture is achieved by the many layers of charcoal, which are skillfully positioned on top of each other to re-create an almost cinematographic scene. The balance between darkness and soft beams of light is rendered through the many shades of black and grey, creating a notion that something may be lurking below the surface.
Renie Spoelstra looks for an atmosphere, and it is this atmosphere that she tries to re-create in her drawings. The dark hues, empty landscapes and sheer size of the works evoke an existential, melancholic sentiment, and allows for the viewer to lose oneself in each piece. Although these works are reproductions of real places, and are not imagined sceneries, the soulful nature of the drawings, and dark depths, reveal a personal interpretation of the artist’s emotion.
Themes of intensity, secrecy and mystery are reoccurring in Spoelstra’s works. There is an alluring and mythical feel of a place. The series ‘Stretching Universe’ refers to the scientific fact that our universe is expanding, while here on earth it feels as though it is shrinking with the rise of xenophobia, narrow-mindedness and the continuous threats of climate change. Fleeing, or escaping to nature is not as easy as it may seem.
Renie Spoelstra studied at St. Joost, Breda and at the Academie Minerva, Groningen. She has exhibited in the Netherlands and abroad, notably at institutions like the Albertina, Vienna; Museum Boijmans van Beuningen, Rotterdam, and Stedelijk Museum Schiedam. Her work is included in renowned collections such as the Centre Pompidou, Paris; MACBA Barcelona; Stedelijk Museum Schiedam; Centraal Museum, Utrecht; Cobra Museum voor Moderne Kunst, Amstelveen; Museum Voorlinden, Wassenaar; the Guerlain Fondation, Paris, and many other (private) collections.