Isaac Julien — Chapter 1: The Harlem Renaissance

Ahead of our exhibition opening on Saturday, March 9th, we are sharing a series of three short focus stories to help contextualize Isaac Julien’s amazing work. Today, we delve into the Harlem Renaissance, a pivotal movement in African American history that reshaped the cultural landscape of the United States and impacted Black identity globally.

The Harlem Renaissance, spanning from the early 1920s to the mid-1930s, was a period of profound intellectual, social, and artistic expression in the African American community. It emerged as a direct response to the harsh realities of Jim Crow laws and the persisting effects of slavery, which had systematically oppressed and marginalized Black people in America. This era represented a time when African Americans, having endured centuries of slavery and decades of segregation and racial violence, sought to redefine their identity and assert their rights as citizens and creators of culture.


The Great Migration played a crucial role in the emergence of the Harlem Renaissance. This mass movement saw millions of African Americans relocating from the rural South to the urban centers of the North, including Harlem in New York City, in search of better employment opportunities and an escape from the systemic racism prevalent in the South. Harlem transformed into a vibrant hub for Black culture, attracting writers, artists, musicians, and thinkers, who converged to create a new narrative for the African American experience.

Central to the movement were figures like Langston Hughes, whose poetry and writings captured the essence of the Black experience in America, and Zora Neale Hurston, whose works celebrated Black life in the rural South. Musicians such as Louis Armstrong and Duke Ellington brought jazz to the forefront, creating a musical revolution that resonated far beyond Harlem’s borders. Visual artists like Aaron Douglas combined traditional African motifs with modernist aesthetics to create powerful representations of African American life.

The intellectual foundation of the Harlem Renaissance was significantly shaped by Alain Locke, often referred to as the “Father of the Harlem Renaissance.” Locke’s philosophy of cultural pluralism championed the idea of a “New Negro,” who was intellectually and culturally sophisticated. His collaboration with patrons like Albert C. Barnes, who collected and exhibited African art, played a significant role in bringing African American art and culture to a broader audience.

Isaac Julien’s project Once Again… (Statues Never Die) revisits this crucial era, exploring the relationship between Barnes and Locke. The installation, set to open at our gallery in a reimagined space, offers a modern perspective on this historical dialogue, linking past cultural movements to current discussions on representation and restitution in art.

Julien, known for his groundbreaking works such as the poetic documentary and series Looking for Langston (1989), about Langston Hughes, delving into the Harlem Renaissance and its queer subculture, continues his exploration of this historical period in Once Again… (Statues Never Die), which also integrates different layers of meaning by combining footage from Julien’s earlier work. This blend of narratives offers an exploration of cultural heritage, identity, and the enduring impact of these figures on historical and contemporary discussions.

The Harlem Renaissance was more than just a movement; it was a declaration of African American resilience and creativity in the face of relentless adversity. It laid the groundwork for future civil rights activism and continues to influence artists and thinkers around the world, as exemplified by Julien’s work. As we prepare to showcase Once Again… (Statues Never Die), we invite our audience to explore and appreciate the depth and impact of the Harlem Renaissance, a defining chapter in American history and a transformative period for Black identity globally.

For a comprehensive exploration of the Harlem Renaissance, you can visit the United States’ National Museum of African American History and Culture’s website. Their page on the Harlem Renaissance provides an in-depth look at this influential cultural movement. You can access more information via the button below:

More Information Here

ABOUT Isaac Julien

Sir Isaac Julien KBE RA (GB, 1960), a London-born filmmaker and installation artist, is celebrated for his groundbreaking approach to art, seamlessly merging film, dance, photography, music, theater, painting, and sculpture to craft compelling visual narratives through multi-screen film installations. Notably, his 1989 documentary-drama “Looking for Langston” and the Cannes Film Festival Semaine de la Critique prize-winning debut feature, “Young Soul Rebels” (1991), garnered critical acclaim on a global scale.

Julien’s international acclaim extends to prestigious solo exhibitions at prominent venues, including the Barnes Foundation, Smith College Museum of Art, and Bechtler Museum of Modern Art. His works have graced the walls of renowned institutions such as the Museum of Modern Art and the Art Institute of Chicago.

In addition to his artistic pursuits, Julien has made significant contributions to academia, holding key positions at institutions like the University of Arts London and Staatliche Hoscschule fur Gestaltung, Karlsruhe. His educational efforts were further recognized when he was awarded the James Robert Brudner ’83 Memorial Prize and delivered lectures at Yale University in 2016.

Isaac Julien’s dedication to the arts has earned him distinguished accolades, including The Royal Academy of Arts Charles Wollaston Award in 2017 and a knighthood as part of Queen Elizabeth II’s Honours List in 2022. Furthermore, he was honored with the esteemed Kaiserring Goslar Award in 2022.

In April 2023, Tate Britain hosted a comprehensive survey show, presenting Isaac Julien’s illustrious career. This exhibition featured works spanning four decades, encompassing early films and expansive multi-screen installations that delve into the themes of global movement and history. It marked the first-ever presentation of Isaac Julien’s extensive body of work in the United Kingdom. Following its showcase at Tate Britain, the exhibition traveled to K21 in Düsseldorf, with its next destination set to be Bonnefanten in Maastricht, where it will be open for viewing from March 9 onwards.