Galerie Ron Mandos to represent Koen van den Broek
Now more than ever, it is important to remember that communal engagement with art is crucial in these challenging times. To the best of our ability, we are going to continue doing what we do best, which is to provide our community with beautiful works of art. For that reason, we are delighted to share with you that as of today Galerie Ron Mandos will be representing the acclaimed Belgian artist Koen van den Broek.
Later in April 2020 we will be welcoming you all to the opening of The Beginning, Van den Broek’s inaugural solo-exhibition with Galerie Ron Mandos which will, due to our current reality, take place online in our recently launched RM Online Viewing Room.
For all press inquiries, contact
Communications Manager | Jacquill G. Basdew +31 20 3207036 firstname.lastname@example.org
ABOUT Koen van den Broek
Born in 1973 in Bree, Belgium
Lives and works in Antwerp, Belgium
Born in 1973 in the Belgian town of Bree, Van den Broek first studied architecture and subsequently painting, initially at the Royal Academy of Antwerp and then at the Academy of Visual Arts of Breda. In his opinion, despite his painting studies, he has always remained an architect at heart. Ever since his student days, van den Broek has travelled constantly: around Europe, to the USA, Mexico and even to Japan. Always with his camera close to hand. He takes photos, a lot of photos, which all depict the same subject: the architectural interventions of man on the landscape.
Early in his career, Koen van den Broek developed a fascination for desolate landscapes in which man rarely appears, but always makes his presence felt. He depicts the traces left behind on roads, streets and houses that have been abandoned. The artist’s perception of roads and borders in barren lands has provided the painter with impulses that enable him to make his specific statement on landscape painting. Van den Broek operates by turning his face downwards and zooming in on the irregularities of the pavement, on curb stones and shadows. It is this very search for a subject of representation that led the artist on a journey closer to abstraction.
Works by Koen van den Broek are part of major public collections, including the LACMA, Los Angeles; SMAK, Ghent; M HKA, Antwerp; Busan Museum of Art, Busan; San Francisco Museum of Modern Art, and Museum Dhondt-Dhaenens, Deurle. His work has been presented at the Venice Biennial (2015 & 2017); White Cube, London; Kunstmuseum, Bonn; Royal Museum of Fine Arts of Antwerp and Brussels; Seoul Arts Centre, Seoul; Kunsthalle, Mannheim; Royal Academy, London; MAS, Antwerp, and Kunsthal, Rotterdam; His work can also be found in numerous public spaces in Belgium, such as the Hofkamer, Antwerp; ‘t Zilte, MAS, Antwerp; AZSM Hospital, Mechelen, and the Provinciehuis, Hasselt.