AMSTERDAM ART WEEKEND
AMSTERDAM ART WEEKEND
29, 30 November + 1 December 2013
Amsterdam Art Weekend is part of Capital A’s annual programme
Friday 29 November 2013 5 – 8 pm
opening Heimlich by Maurice van Tellingen & 4X Rijksacademie Alumni
Show by Maurice van Tellingen, also works by Hans Op de Beeck, Inti Hernandez, Arthur Kleinjan, Jacco Olivier
Saturday 30 November 4 – 8 pm
Drinks & Bites Route
Sunday 1 December 4:30 – 5:30 pm
IDFA Day 3: Screenings – ‘Staged Reality’
including Staging Silence II by Hans Op de Beeck
more info and location details: http://amsterdamartweekend.nl/event/staged-reality/
Sunday 1 December 4:30 – 5:30 pm
Music performance by Bird on the Wire
Bird on the Wire may refer to the famous song by Leonard Cohen, recorded in 1968. It may also refer to the 1990 film starring Mel Gibson. Now, Bird on the Wire refers to a band from Amsterdam involving of Rosa Ronsdorf. Nina de Jong (Drums, Xylophone, Marimba), Sven Hamerpagt (Guitar, Bass and Autoharp) and Aino Vehmasto (keys, vocals).
Bird on the Wire writes songs about men with beards and creatures covered in flags. You could describe their sound as dream pop, although they have some darker sides, too.
Bird on the Wire played shows in the Netherlands, Germany and France, doing support shows for Tennis (US), St. Vincent (US), Thus:Owls (SE) and Braids (CA). In the summer of 2013 Bird on the Wire was working from New York, mixing their album and performing showcases at various venues around town. At the moment they are finishing up their album, which could be a lot more then just another pop-album. Collaborations with visual artists from over seas are in the make.
For more information please visit www.amsterdamartweekend.nl
ABOUT Hans Op de Beeck
Hans Op de Beeck was born in 1969 in Turnhout, BE
He lives and works in Brussels, BE
Hans Op de Beeck produces large installations, sculptures, films, drawings, paintings, photographs and texts. His work is a reflection on our complex society and the universal questions of meaning and mortality that resonate within it. He regards man as a being who stages the world around him in a tragi-comic way. Above all, Op de Beeck is keen to stimulate the viewers’ senses, and invite them to really experience the image. He seeks to create a form of visual fiction that delivers a moment of wonder and silence.
Over the past twenty years Op de Beeck realised numerous monumental ‘sensorial’ installations, in which he evoked what he describes as ‘visual fictions’: tactile deserted spaces as an empty set for the viewer to walk through or sit down in, sculpted havens for introspection. In many of his films though, in contrast with those depopulated spaces, he prominently depicts anonymous characters.
Hans Op de Beeck was born in Turnhout in 1969. He lives and works in Brussels, Belgium. Op de Beeck has shown his work extensively in solo and group exhibitions around the world.
ABOUT Inti Hernandez
Inti Hernandez lives and works in between Amsterdam (The Netherlands) and Havana (Cuba).
The work of Inti Hernandez is embedded in the philosophy wherein life is defined as a perpetual flow of energy. In his view the question is no longer, “What can I pick out of this flow of energy to my personal liking and benefit?” but, “What could I contribute to this flow of life that is still missing? Hernandez believes that by finding answers to this question your ideas will always be welcome and will allow you something in return.
Hernandez sees art as a medium to create conversation and dialogue. The very nature of his work embodies collaboration. He explores meanings and triggers reflection through his artistic process and through the interaction with those who engage with his work. The more ideas are adopted as another’s subject, the more energy they gather and the more they connect to something fundamental. When ideas mange to create conversations they become something undeniable.
Architecture and Industrial design are both disciplines very much interconnected with daily life. In his work Hernandez plays with their language and with their multidisciplinary habits. By doing so he ensures a special flavour of common sense in his results. Through this process Hernandez obtains vital impute out of the dialogue with people, their dreams, ideas, necessities, priorities, spontaneity and initiative. He sees art as an established institution, which can be developed into business cases and showcases so that many other interests can participate with it- supporting it and being supported by it and thus gaining a benefit from it.
ABOUT Arthur Kleinjan
Arthur Kleinjan studied at the Willem de Kooning Academy in Rotterdam and later also at the Rijksakademie in Amsterdam from 2001 until 2002.
He is particularly drawn to the media of photography and video. His work attempts to explore human experience in relation to the metaphysical experience of time, place and identity. Kleinjan integrates the viewer by playing with these concepts. He does this for example by transforming seemingly ordinary and simple moments into something unique. In his photo series ‘Paris Looks’ he photographs the uncomfortable poses and gestures that accompany the ‘holiday photo’. Whilst each individual tourist takes position for his or her travel companion, Kleinjan as a second photographer captures the scene from an elevated viewpoint. Despite this distanced perspective, these images have a certain intimacy and fragility, via which the viewer identifies him or herself with the piece. Kleinjan is able to register these scenes at such an exact point as to bring out the spectacle in them, as if the tourists are actors on a stage. He demonstrates how they allow themselves to be immortalised in an attempt to resist the passing of time, attempting to obtain something meaningful at a later point in the form of memory.
Video works by the artist also show his keen interest for the themes of time and place. His work ‘Traverse’ has a cinematographic, narrative nature. It is a complex story that traverses narrated childhood memories, recent experience and dream. It is not clear whether the central figure of the piece is dreaming what he had experienced or that he is experiencing that what he had dreamed. His work is located in the space where reality, memory and dream meet.
‘Moments of Considered Time’ was shown at ‘ROAM’, the first time this most recent work had been seen in the Netherlands. It interweaves images of modern Cairo with the history of film, photography and Egypt itself. This together with personal observations and memories creates a complex work of undeniable interest.
ABOUT Jacco Olivier
Jacco Olivier was born in 1972 in Goes, The Netherlands
He lives and works in Amsterdam, The Netherlands
Jacco Olivier fuses painting and filmmaking by repeatedly reworking paintings in generous casual brush strokes and systematically photographing each development. The various stages are combined into projected animations. The resulting films are enigmatic and experiential – moving in and out of abstraction they reveal the traces and decisions made by the artist in the process of painting. While there is a clear and quite complex process involved in their creation, Olivier does not set a thematic agenda for the works, or for their relationship to one another. The films are instead imagined as windows onto converging, and often elegantly simple, moments of daily life – a bus journey, a swim in the ocean, or a walk through the woods. At this convergence of painting and cinema, however, lies an uneasy tension, a feeling that something is about to happen or has just happened that is unexpected and beyond our control.
Jacco Olivier is a graduate of the Rijksakademie van beeldende kunsten, Amsterdam. He has exhibited worldwide, notably at ZKM, Karlsruhe; Sammlung Goetz, Munich; Victoria Miro Gallery, London; Marianne Boesky Gallery, New York, NY; Dordrechts Museum, Dordrecht; MCA Denver, CO; The 56th Venice Biennial, Venice; Frans Hals Museum, Haarlem; New York City Center/New Museum, New York, NY, and GEM, The Hague. His art is held in many public collections, including Museum Voorlinden, Wassenaar; the Honart Museum, Tehran; the Zabludowicz Collection, London, and the Rubell Family Collection, Miami, FL. In 2019, he was awarded the Jeanne Oosting Prize for figurative painting in The Netherlands.