Hans Op de Beeck


*"Still Lifes" (2010 - …)* is a new, ongoing series of sculpted tables each of which consist of a number of objects brought together in an associative manner. Sculptural, life-sized interpretations of everyday objects such a piece of fruit, a bottle, a book, a cup of coffee, a pack of cigarettes or a trio of dice are combined with objects on a reduced scale, such as furniture pieces or small models of fictitious architectural forms. The tabletop is used as a small stage, a platform on which small, silent, intimate worlds are created. These table sculptures, all executed in the same monochrome grey synthetic gypsum, refer to our daily life as well as to the heritage and the tradition of painting. The collections of objects at different scales are reminiscent of for example the Renaissance Wunderkammer, the silence of Giorgio Morandi's still lifes or the associative compositions and questioning of the status of the real and the represented by René Magritte. Because of the use of the grey gypsum also Pompeii and the archeological object come to mind.

The video work *“Staging Silence” (2009)* is based around abstract, archetypal settings that lingered in the memory of the artist as the common denominator of the many similar public places he has experienced. The video images themselves are both ridiculous and serious, just like the eclectic mix of pictures in our minds. The decision to film in black and white heightens this ambiguity: the improvised nature of the video invokes the legacy of slapstick, as well as the insidious suspense and latent derailment of film noir.

_Op de Beeck has shown his work extensively in solo and group exhibitions in recent years. The Aichi Triennial 2010 (Aichi), Spheres 2009, Palais de Tokyo (Paris), MARTa Herford (Herford), Hangar Bicocca (Milan), Centre Pompidou (Paris), Reina Sofia (Madrid), the Scottsdale Museum of Contemporary Art (Arizona), the Towada Art Center (Towada), the ZKM (Karlsruhe), the MACRO (Rome), the 6th Shanghai Biennale (Shanghai), the Kunstverein Hannover (Hanover), the Whitechapel Art Gallery (London), the Singapore Biennale (Republic of Singapore) and the PS1 (New York) are just some of the internationally prominent gallery spaces where the artist has been invited to exhibit._

ABOUT Hans Op de Beeck

Hans Op de Beeck (Be) produces large installations, sculptures, films, drawings, paintings, photographs and texts. His work is a reflection on our complex society and the universal questions of meaning and mortality that resonate within it.

He regards man as a being who stages the world around him in a tragi-comic way. Above all, Op de Beeck is keen to stimulate the viewers’ senses, and invite them to really experience the image. He seeks to create a form of visual fiction that delivers a moment of wonder, silence and introspection.

Hans Op de Beeck was born in Turnhout in 1969. He lives and works in Brussels and Gooik, Belgium. Op de Beeck has shown his work extensively in solo and group exhibitions around the world.

He has had substantial institutional solo shows at the GEM Museum of Contemporary Art of The Hague, The Hague, NL (2004); MUHKA Museum of Contemporary Art, Antwerp, B (2006); Centraal Museum, Utrecht, NL (2007); the Smithsonian’s Hirshhorn Museum and Sculpture Garden, Washington DC, US (2010); Kunstmuseum Thun, CH (2010); Centro de Arte Caja de Burgos, Burgos, ES (2010); Butler Gallery, Kilkenny, IRL (2012); Kunstverein Hannover, D (2012); Tampa Museum of Art, Tampa, USA (2013); the Harn Museum of Art, Gainesville, FL, USA (2013); FRAC Paca, Marseille, F (2013); MIT List Visual Arts Center, Cambridge, Boston MA, US (2014); MOCA Cleveland, OH, US (2014); Sammlung Goetz, Munich, D (2014); Screen Space, Melbourne, AU (2015); Espace 104, Paris, FR (2016); Art Unlimited, Basel, CH (2016); Kunstraum Dornbirn, Dornbirn, AU (2017); Museum Morsbroich, Leverkusen, DE (2017); Kunstmuseum Wolfsburg, Wolfsburg, DE (2017); Fondazione Museo Pino Pascali, Polignano a Mare, IT (2017); ...