ABOUT THE EXHIBITION

PLAYTIME | Isaac Julien | Opening: Saturday September 6th | 5-7pm

Galerie Ron Mandos is proud to present PLAYTIME, a new film installation by the internationally acclaimed video artist Isaac Julien. After the huge success of Julien’s installation film TEN THOUSAND WAVES (2010), his most recent video work PLAYTIME explores current issues such as the ambivalent relationship between capital, the contemporary art world and the individual. In addition, a suite of accompanying photographic works will be presented.

PLAYTIME is set across three cities defined by their relation to capital: Dubai, the new center for wealth in the world; London, a city transformed by the deregulation of banks and Reykjavik, where in 2008 the financial crisis began. All the characters, such as the Artist, the Art Dealer or the Hedge Fund Manager explore their relationship with the global financial crisis and the role of contemporary art in it.

The characters are based on real individuals whom Julien interviewed and researched extensively,  including renowned actors James Franco, Maggie Cheung, Mercedes Cabral, Colin Salmon, Ingvar Eggert Sigurðsson and world-famous auctioneer Simon de Pury, as himself.

With his luxurious and seductive way of making his films Isaac Julien utilizes the contemporary cinematic vocabulary to the fullest extent and at the same time tries to lure the audience into a confrontation with questions and themes which might be difficult for them to acknowledge. Julien applies this ‘looking in the mirror’-aspect also to himself as an artist, since the influence and the ambivalent role of capital in the contemporary art market is such an important aspect of this film.

Isaac Julien (UK, 1960) is a British installation artist and filmmaker who tries to break down barriers between different artistic disciplines such as film, photography, installation, music, theatre and painting. In doing so, he creates a unique poetic visual language in audiovisual film installations. Julien was nominated for the Turner Prize in 2001 and is represented in museums and private collections all over the world, including The Museum of Modern Art (MoMA), Tate Modern, Centre Pompidou, Guggenheim Collection and many more.

ABOUT Isaac Julien

Filmmaker and installation artist, Isaac Julien CBE RA, was born in 1960 in London, where he currently lives and works. His multi-screen film installations and photographs incorporate different artistic disciplines to create a poetic and unique visual language. His 1989 documentary-drama exploring author Langston Hughes and the Harlem Renaissance titled Looking for Langston garnered Julien a cult following while his 1991 debut feature Young Soul Rebels won the Semaine de la Critique prize at the Cannes Film Festival.

Having recently worked on conserving and restoring Looking for Langston images from his extensive archive, he exhibited of photographic works at Victoria Miro Gallery, London (2017), Jessica Silverman Gallery, San Francisco (2016) and Ron Mandos Gallery, Amsterdam (2016) with a screening of the film in its original 16mm print at Tate Britain.

Julien’s solo exhibitions and presentations include Zeitz Museum of Contemporary Art Africa (Zeitz MOCAA), Cape Town (2017); Platform-L Contemporary Art Centre, Seoul (2017); The Royal Ontario Museum, Toronto (2017); Fondation Louis Vuitton, Paris (2016); MAC Niterói, Rio de Janeiro (2016); Museo Universitario Arte Contemporáneo (MUAC), Mexico City (2016); De Pont Museum, Netherlands (2015); Museum of Modern Art, New York (2013); Art Institute of Chicago, Chicago (2013); The Bass Museum, Miami (2010); Museum Brandhorst, Munich (2009); Museum of Modern Art, Dublin (2005); Centre Pompidou, Paris (2005) and Moderna Museet, Stockholm (2005). His latest work, Stones Against Diamonds, was shown in 2015 as part of the Rolls-Royce Art Programme at the Venice Biennale, at Art Basel and Art Basel Miami Beach.

Julien participated in the Venice Biennale at the inaugural Diaspora Pavilion at the 57th edition in 2017 with Western Union: Small Boats. Previously, he presented Kapital and directed Das Kapital Oratorio in the 56th edition of the Venice Biennale, curated by Okwui Enwezor, in 2015. His work has also been exhibited in the 7th Gwangju Biennial, South Korea (2008); Prospect 1, New Orleans (2008); Performa 07, New York (2007) and in documenta 11, Kassel (2002).

Julien’s work is held in collections that include: Tate, London; the Museum of Modern Art, New York; Centre Pompidou, Paris; the Solomon R. Guggenheim Museum, New York; the Hirshhorn Museum and Sculpture Garden, Washington DC; the Albright-Knox Art Gallery, Buffalo, New York; Fondation Louis Vuitton, Paris; the LUMA Foundation, Arles; the Kramlich Collection; the Zeitz Museum of Contemporary Art (Zeitz MOCAA), Cape Town. In 2016 the Towner Art Gallery Collection (Eastbourne, UK) acquired Ten Thousand Waves (2010) as part of a Moving Image Fund program. Ten Thousand Waves, a globally acclaimed multiple screen installation work, premiered at the 2010 Sydney Biennale and has gone on to be exhibited extensively - recently at Platform-L in Seoul (2017) and Fondation Louis Vuitton in Paris (2016) as well as the Museum of Modern Art, New York in 2013, with whom he also published a comprehensive monographic survey of his life and work, titled ‘Riot’.

Julien has taught extensively, holding posts such as Chair of Global Art at University of Arts London (2014-2016) and Professor of Media Art at Staatliche Hoscschule fur Gestaltung, Karlsruhe, Germany (2008 – 2016). He is the recipient of the James Robert Brudner ‘83 Memorial Prize and Lectures at Yale University (2016). Most recently he received the Charles Wollaston Award (2017), for most distinguished work at the Royal Academy Summer Exhibition and in 2018, he was made a Royal Academician. Julien was awarded the title Commander of the Most Excellent Order of the British Empire (CBE) in the Queen’s birthday honours, 2017.

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