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Dec 30: 12 - 6 pm
Dec 31: Open 12 - 4 pm 
FINAL DAY | Jan 2: Open from 12 - 6 pm


Galerie Ron Mandos is proud to present Eyes Closed, an exhibition of new work by Hans Op de Beeck. Op de Beeck works in different media: monumental installations, sculptures, film, animation, photography, watercolours, drawings, text and music. His work is a reflection on the tragicomic way in which we stage and give meaning to our lives. It speaks of the awkward way in which we relate to space, time, and each other. He touches upon universal themes through the use of everyday images, which often serve as memento mori for the spectator. The artist seeks to strike a perfect balance between seriousness and lightness, between reality and fiction. 

In 2009, Op de Beeck presented a solo exhibition among the works of old masters in the famous Galleria Borghese in Rome. Here, he showed for the first time a series of large black and white watercolours. Since then, Op de Beeck has created a series of four hundred large watercolours of fictional places, landscapes, characters and objects. Using melancholy as a means, the artist aims to move and console.

In Eyes Closed, Op de Beeck presents a new series of watercolours. The artist paints them at night, when all the machines in his studio are turned off, the phones are quiet and the staff has left. He often works until dawn. The soothing tenderness but also the threat and latent derailment of the night are tangible in these images. Aside from the watercolours, Op de Beeck also presents a number of small and large sculptures in Eyes Closed. One of these is Lounge (2014). This sculpture is Op de Beeck's largest Vanitas scene so far. It is the sculptural interpretation of a classical-looking interior dominated by a Chesterfield sofa and a Baroque collection of props, ranging from candlesticks to cigarette butts and empty pizza boxes. The unfinished external walls of this work refer to a theatre stage.

Lounge also refers to the sixteenth century tradition of the still life and reminds of the significance and fragile value of objects. Every part of the work was fashioned with great precision in the studio of the artist. This strange, petrified, apparently abandoned setting is like a present-day Pompeii.

Hans Op de Beeck (b. Belgium, 1969) lives and works in Brussels, Belgium. He has had international solo exhibitions at, among others, the Sammlung Goetz, Munich, Germany (2014); the Museum of Contemporary Art Cleveland, Cleveland, OH (2014); Galleria Continua, Beijing, China (2014); the Tampa Museum of Art, Tampa, Florida (2013); The Hirshhorn Museum and Sculpture Garden, Washington DC (2010); MHKA Museum of Contemporary Art in Antwerp, Belgium (2006). Op de Beeck has recently written and directed his first full-length play for the Schauspiel Frankfurt, Germany. It successfully premiered last September.

[Voor Nederlands klik hier]

ABOUT Hans Op de Beeck

Hans Op de Beeck was born in 1969 in Turnhout, BE
He lives and works in Brussels, BE

Visual artist Hans Op de Beeck lives and works in Brussels, where he has developed his career through international exhibitions over the past twenty years. His work consists of sculptures, installations, video work, photography, animated films, drawings, paintings and writing (short stories). It is his quest for the most effective way of presenting the concrete contents of each work that determines the medium that the artist ultimately selects. The scale can vary from the size of a small watercolour to a large, three-dimensional installation of 600m2.

The artist not only uses a very wide variety of media, but also deliberately employs a diversity of aesthetic forms, ranging from an economical, minimalist visual language to overloaded, exaggerated designs, always with the aim of articulating the content of the work as precisely as possible.

Thematically, the work concentrates on our laborious and problematic relationship with time, space and each other. Op de Beeck shows the viewer non-existent, but identifiable places, moments and characters that appear to have been taken from contemporary everyday life, aiming thereby to capture in his images the tragicomic absurdity of our postmodern existence. Key themes are the disappearance of distances, the disembodiment of the individual and the abstraction of time that have resulted from globalisation and the changes to our living environment that developments in media, automation and technology have brought about.

Hans Op de Beeck sometimes calls his works “proposals”; they are irrefutably fictional, constructed and staged, leaving it up to the viewer whether to take the work seriously, as a sort of parallel reality, or immediately to put it into perspective, as no more than a visual construct. His work is nourished by a keen interest in social and cultural reflection. The artist also questions the difficult relationship between reality and representation, between what we see and what we want to believe, between what is and what we create for ourselves in order to make it easier to deal with our own insignificance and lack of identity. The visual output of that investigation often produces slumbering, insidious, melancholy and astonishing images.

Multi-disciplinary artist Hans Op de Beeck creates interworlds. Suspended between past and future, fiction and reality, his works sound out a mirage-like contemporary universe and a sensory vertigo where the familiar rubs shoulders with the strange. From installation to sculpture, from video to animated film, from short stories to painting and drawing, from photography to sound material, the media he employs seem to converge on the definition of a topos: a mental theatre that projects the viewer into a reflexive social and cultural experience, the intimate thinking of the human condition. —Eva Prouteau

Op de Beeck has shown his work extensively in solo and group exhibitions around the world. He has had substantial institutional solo shows at the GEM Museum of Contemporary Art of The Hague, The Hague, NL (2004); MUHKA Museum of Contemporary Art, Antwerp, BE (2006); Centraal Museum, Utrecht, NL (2007); the Smithsonian’s Hirshhorn Museum and Sculpture Garden, Washington DC, US (2010); Kunstmuseum Thun, CH (2010); Centro de Arte Caja de Burgos, Burgos, ES (2010); Butler Gallery, Kilkenny, IRL (2012); Kunstverein Hannover, D (2012); Tampa Museum of Art, Tampa, USA (2013); the Harn Museum of Art, Gainesville, FL, USA (2013); FRAC Paca, Marseille, F (2013); MIT List Visual Arts Center, Cambridge, Boston MA, US (2014); MOCA Cleveland, OH, US (2014); Sammlung Goetz, Munich, D (2014); Screen Space, Melbourne, AU (2015); Espace 104, Paris, FR (2016); Art Unlimited, Basel, CH (2016); Kunstraum Dornbirn, Dornbirn, AU (2017); Museum Morsbroich, Leverkusen, DE (2017); Kunstmuseum Wolfsburg, Wolfsburg, DE (2017); Fondazione Museo Pino Pascali, Polignano a Mare, IT (2017); His work is included in museum collections of the Centre Pompidou, Paris; the Royal Museum for Modern and Fine Arts, Brussels; Kröller-Müller Museum, Otterlo; Museum Voorlinden, Wassenaar; Museum Arnhem, Arnhem; the ING Art Collection, Amsterdam; the Akzo Nobel Art Foundation, Amsterdam, and Cobra to Contemporary/The Brown Family Collection.