ABOUT Levi van Veluw
Levi van Veluw was born in the city of Hoevelaken in 1985. He lives and works near Amsterdam, The Netherlands.
Over the past 15 years, Van Veluw has produced a diverse and evolving oeuvre that is exhibited all around the world. He is known for installations, sculptures, drawings, and autobiographical films that draw from his childhood memories. From the depths of his memory, the artist unearths images that provoke universal emotions and question our human logic. Van Veluw plays with elements of order and chaos, posing to the viewer questions about our obsessive pursuit of control.
Van Veluw creates his works with extreme care and craftsmanship; his sculptures of clay and wood are made entirely by hand, giving them an authentic, coarse, and organic character. His intricately built-up charcoal drawings show great symmetry and harmony, whilst his remarkable use of light evokes a strong, meditative mood. The installations by Van Veluw offer intense and immersive experiences. In the past, he has built complete, though fictional cathedrals – amongst other dark and sensory spaces built of obscure forms and materials. Visitors that enter Van Veluw’s alternate realities become disassociated from their existing spatial interpretations. They experience a disruptive environment where both order and chaos live one amongst the other.
The work of Van Veluw has been exhibited internationally in leading museums and institutions worldwide, such as the Museum of Arts and Design, New York; the Bass Museum of Art, Miami; Ars Electronica, Linz; Centro Nacional de las Artes, Mexico City; Design Museum, London; Musée d’art contemporain de Montréal, and Marres House for Contemporary Culture, Maastricht, amongst others. His work is included in both public and private collections, such as the Borusan Collection, Istanbul; Museum Voorlinden, Wassenaar; Museum MORE, Gorssel; the KPMG Art Collection, Amstelveen; the Ekard Collection, Wassenaar; the Lakeside Collection, Rotterdam, and Cobra to Contemporary/The Brown Family Collection.
Additionally, Van Veluw has worked on commissions for private clients. Within these commissions he has undertaken many collaborations. In 2012, Van Veluw worked alongside curator Marc Coetzee on the film “Family”, produced as part of the “Films4peace” project. In 2014, working alongside Hermès, Van Veluw created a life-sized site-specific installation for one of their main windows in Shanghai. Van Veluw has also participated in international film festivals, including Addis Foto Fest, Addis Ababa; Afrika Film festival, Leuven; Trinidad and Tobago Film Festival, Port of Spain, and West Midlands Human Rights Film Festival, Birmingham.
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ABOUT Hans Op de Beeck
Hans Op de Beeck was born in 1969 in Turnhout, Belgium. He lives and works in Brussels, Belgium.
Hans Op de Beeck produces large installations, sculptures, films, drawings, paintings, photographs and texts. His work is a reflection on our complex society and the universal questions of meaning and mortality that resonate within it. He regards man as a being who stages the world around him in a tragi-comic way. Above all, Op de Beeck is keen to stimulate the viewers’ senses, and invite them to really experience the image. He seeks to create a form of visual fiction that delivers a moment of wonder and silence.
Over the past twenty years Op de Beeck realized numerous monumental ‘sensorial’ installations, in which he evoked what he describes as ‘visual fictions’: tactile deserted spaces as an empty set for the viewer to walk through or sit down in, sculpted havens for introspection. In many of his films though, in contrast with those depopulated spaces, he prominently depicts anonymous characters.
Hans Op de Beeck was born in Turnhout in 1969. He lives and works in Brussels, Belgium. Op de Beeck has shown his work extensively in solo and group exhibitions around the world.
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ABOUT Ryan McGinness
Ryan McGinness was born in 1972 in Virginia Beach, VA
He lives and works in New York, NY
His work consists of an amalgam of icons and symbols. Drawing from his background in the design industry, Ryan McGinness’s work resolves the clinical graphic aesthetics of media as vast, contemplative fields of intimate meditation. It incorporates strong social commentary on iconography, language, and historical and contemporary symbolism. His graphic drawings and personal iconography are replicated, recontextualized, and materialized infinitely throughout his densely layered paintings.
Born and raised in the surf and skate culture of Virginia Beach, Virginia, McGinness moved on to study at Carnegie Mellon University in Pittsburgh, Pennsylvania as an Andrew Carnegie Scholar. During college, he worked at the Andy Warhol Museum as a curatorial assistant, which inevitably influenced his proclivity toward pop and graphic aestheticism. Known for his original extensive vocabulary of graphic drawings that use the visual language of public signage, corporate logos, and contemporary iconography, McGinness creates paintings, sculptures, and environments and fabricate the iconography of contemporary experience as spiritual and timeless.
McGinness’s work can be found in such art institutions as The Museum of Modern Art in New York, NY; The Museum of Contemporary Art San Diego, CA; the Cincinnati Art Museum, Cincinatti, OH, and private and corporation collections including the Neuberger Berman Collection, New York, NY; Cobra to Contemporary/The Brown Family Collection, and the Charles Saatchi Collection, London.
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ABOUT Muntean / Rosenblum
Markus Muntean was born in 1962 in Graz, Austria. Adi Rosenblum was born in 1962 in Haifa, Israel.
Muntean/Rosenblum live and work in Vienna, the city where they met while studying at the end of the 1980s. The artists have collaborated since 1992.
Large-scale painting is one of the core aspects of their practice. However, they often expand their work by creating large installations with sculptural elements where performances are staged or films screened. In addition, they make drawings as well as collages with texts and photographs.
In their work, Muntean/Rosenblum mix references to art history and present-day popular culture. They mostly depict groups of apparently lethargic or melancholic young people in idle situations, which are either ordinary and everyday or mysterious and ambiguous. The often-dreamy scenes take place in rooms, public spaces or landscapes as if part of a film, presenting unresolved situations in the making. The characters seem to adopt postures copied from fashion magazines, or from paintings originating from the renaissance to the nineteenth century. Their work is frequently accompanied by captions or texts not-directly relating to the depicted scene, adding another layer of complexity. The artists themselves described their work as ‘precise ambiguity’. By playing with visual codes from the past and the present, Muntean/Rosenblum scrutinise the power of images and how these constitute an overwhelming collective memory.
Work by Muntean/Rosenblum has been exhibited widely in international museums, institutions and galleries. Recent solo exhibitions were at Espacio Marte, Mexico City (2020); MAC, Coruña (2018); MOCAK, Krakow (2018); Group exhibitions they recently participated in were, among others, at Tel Aviv Museum of Art (2019); Kunsthaus Graz (2018); Nam June Paik Art Centre, Gyeonggi-do (2018); The Parkview Museum, Singapore (2017); and Oude Kerk, Amsterdam (2016). Their work is included in both private and public collections, such as the MoMA, New York NY; the Albertina, Vienna; 21c Museum, Louisville, KY; the KRC Collection, Voorschoten; The Rubell Family Collection, Miami, FL, and Cobra to Contemporary/The Brown Family Collection. In 2022 the artist duo will mount an exhibition at the Albertina Museum, in Vienna, Austria.
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ABOUT Anthony Goicolea
Born in 1971 in Atlanta, Georgia, USA
Lives and works in New York
Anthony Goicolea (USA, 1971) is a first-generation Cuban American artist. He grew up in the Deep South of the United States of America, in the midst of the Cuban refugee crises, coupled with the advent of the AIDS crises, and the rise of the religious right. Goicolea was socially stigmatised for being Cuban, gay, and Catholic. These circumstances brought about a heightened awareness of social constructs, and the changing nature of identity in politics – a theme that continually influences his work. Goicolea explores themes ranging from personal history and identity, cultural tradition and heritage, to alienation and displacement.
His diverse oeuvre encompasses digitally manipulated self-portraits, landscapes, and narrative tableaux executed in a variety of media, including black-and-white and color photography, sculpture and video installations, and multi-layered drawings on Mylar. Best known for his powerful, and often unsettling, staged photographic and video works, Goicolea made his artistic debut in the late 1990s with a series of provocative multiple self-portrait images. These early works featured groups of young boys on the threshold of adolescence, acting out childhood fantasies and bizarre rituals of revelry and social taboo in highly staged domestic or institutional settings or dense, fairy-tale forests. Revealing a playful self-consciousness, they often consisted of complex composites of the artist himself, in all manner of poses and guises. Soon thereafter, Goicolea garnered international attention with his ambiguous, yet strangely compelling, landscapes, ranging from dream-like woodland environments to vast, unforgiving urban and industrial wastelands. The artist has created several series of digitally composited, and heretofore uncharted, topographies, often populated by bands of masked and uniformed figures.
In recent series, many of the images are devoid of humans, although the landscape reflects an anonymous and increasingly tenuous human presence. In these works, primitive lean-tos and crudely constructed shanties coexist in an uneasy union with the technological vestiges of an industrialized society. Suggesting a world on the brink of obsolescence, these chilling images further cement the pervasive undercurrent of human alienation—from one another as well as the natural environment—that can be traced throughout the artist’s work.
Anthony Goicolea has exhibited widely, notably at the Museum of Contemporary Photography, Chicago, Illinois; the International Center of Photography, New York and Museo Reina Sofia, Madrid. Goicolea’s art is held in many public collections, including the Whitney Museum of American Art, New York, NY; The Museum of Modern Art, New York, NY; The Guggenheim Museum of Art, New York, NY; The Brooklyn Museum of Art, Brooklyn, NY; Yale University Art Collection, Photography, CT; the Museum of Contemporary Art of Castile and Leon, Spain; 21c Museum, Louisville, KY, the Akzo Nobel Art Foundation, Amsterdam, and Cobra to Contemporary/The Brown Family Collection, among others.
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ABOUT Jacco Olivier
Jacco Olivier fuses painting and filmmaking by repeatedly reworking paintings in generous casual brush strokes and systematically photographing each development. The various stages are combined into projected animations. The resulting films are enigmatic and experiential – moving in and out of abstraction they reveal the traces and decisions made by the artist in the process of painting. While there is a clear and quite complex process involved in their creation, Olivier does not set a thematic agenda for the works, or for their relationship to one another. The films are instead imagined as windows onto converging, and often elegantly simple, moments of daily life – a bus journey, a swim in the ocean, or a walk through the woods. At this convergence of painting and cinema, however, lies an uneasy tension, a feeling that something is about to happen or has just happened that is unexpected and beyond our control.
Jacco Olivier is a graduate of the Rijksakademie van beeldende kunsten, Amsterdam. He has exhibited worldwide, notably at ZKM, Karlsruhe; Sammlung Goetz, Munich; Victoria Miro Gallery, London; Marianne Boesky Gallery, New York, NY; Dordrechts Museum, Dordrecht; MCA Denver, CO; The 56th Venice Biennial, Venice; Frans Hals Museum, Haarlem; New York City Center/New Museum, New York, NY, and GEM, The Hague. His art is held in many public collections, including Museum Voorlinden, Wassenaar; the Honart Museum, Tehran; the Zabludowicz Collection, London, and the Rubell Family Collection, Miami, FL. In 2019, he was awarded the Jeanne Oosting Prize for figurative painting in The Netherlands.
Jacco Olivier was born in 1972 in Goes, The Netherlands
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He lives and works in Amsterdam, The Netherlands
ABOUT Renato Nicolodi
Renato Nicolodi was born in 1980, in Anderlecht, Belgium
He lives and works close to Brussels, Belgium.
The architectural work of Nicolodi is clearly monumental. The artist is inspired by classical architecture, which he uniquely processes. It is only when the viewer steps onto the work and inspects it from close range, that he can obtain a clearer understanding of the work, as if he is invited to take part in a visual and physical search within the architectonic forms he has created. Different vantage points and views reveal subtle games of light gradations with the constantly recurring subjective black space, that remains inaccessible for the viewer, coaxing one into reflection. Pure formalistic language is given an almost sacred priority.
Renato Nicolodi studied Audiovisual and Fine Arts at Sint-Lukas in Brussels, and is a laureate at the Higher Institute for Fine Arts (HISK) in Gent. His work can be found in the SFMOMA, San Francisco; Beelden aan Zee, Scheveningen; the collection of the province of Oost-Vlaanderen, Belgium; the province of Vlaams-Brabant, Belgium; the city of Genk, Genk; The city of Lokeren, Lokeren; Ekard Collection, Wassenaar; Achmea collection, Zeist; Houthoff Buruma, Amsterdam; Cobra to Contemporary/The Brown Family Collection, and many other international private collections.
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