Ann Veronica Janssens (BE, 1956) adopts the visual languages of science and minimalism. Her work suggests that all perception is fragile at best. Creating installations, projections, immersive environments, urban interventions, and sculptures, Janssens explores the sensory experience of reality. Space, distribution of light, radiant color, and translucent or reflective surfaces all serve to reveal the instability of our perception of time and space. She explores properties of matter and physical phenomena in order to destabilize ideas about materiality. Janssens took part amongst others in the Venice Biennale in 1999 and the Sydney Biennale in 2012. In 2018, she had a large survey exhibition in De Pont in Tilburg and more recently, in 2020, the Danish museum Louisiana dedicated an exhibition to her.