ABOUT THE FAIR

Van Nellefabriek, Theefabriek

on show

ESIRI ERHERIENE-ESSI

JAN HOEK

MAURICE VAN TELLINGEN

LEVI VAN VELUW 

 

FAIR ARTWORKS

ABOUT Esiri Erheriene-Essi

Esiri Erheriene- Essi lives and works in Amsterdam, the Netherlands.

"The John Baldessari’s quote: ‘Historical mispronounced sounds like hysterical’ can best describe the theme and concern of my paintings. With this as a basis, I am constantly attempting to disrupt the confidence and assumptions of a reader who is familiar with history, thus, confusing their sense of logical sequence. I do this by challenging, displacing, appropriating and, in some cases, playing with the order of both collective and intimate strands of history, memory, myths, and culture of the past and present. In my alternate universe, I pit the musical 1960s group ‘Diana Ross and the Supremes’ against a repeated backdrop of Baader Meinhof/RAF member Brigitte Mohnhaupt, even though there is no evidence to suggest a connection. I paint figures who were lynched in late 19th and early 20th century America and Europe, but on my canvases, they are liberated through the simple act of eradicating the instrument of the noose and the faces of their tormentors. I remove Warhol superstar Joe Dallesandro out of film sequences and place him in an edited solitary setting on canvas. I continuously hinder former president John F Kennedy and Jacqueline Kennedy moments before the shots in 1963 - so in my narrative time is frozen and the assassination never actually takes place.

This logic is based on reading encyclopedias and referential yearbooks and seeing the historical narrative transcribed and sequenced in chronological order. Meaning, situations, events and images of the past that have no other relation than the fact that they are historical references of the same time, are being connected and placed side by side. So in my painting universe RAF members were inspired by the music of the Supremes, and the Supremes number-one hit song ‘You keep me hangin’ on’ was triggered by atrocities committed by the RAF. I don't know for sure, but these 'almost connections' and new possibilities of readings of the past is what I'm concerned with and what intrigues me the most.

Above all I am fascinated by a continued investigation of mass media, pop cultural iconography, appropriation, and mythology, as well as repetition of imagery. I am obsessed by the gaps, the silences, the disturbances and the assault in the historical narrative. As I am curious about the infinite possibilities of new readings. Thus, history is imperative to my practice but I am taking these references and facts and rewriting things just a bit." Esiri Erheriene-Essi recently graduated from the prestigious post graduate residency De Ateliers in Amsterdam. In 2006 she finished a master in Fine Arts at the University of East London, after completing her bachelor in Media Studies at the same university. Her work was exhibited in several galleries in London and Amsterdam.

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ABOUT Jan Hoek

Jan Hoek (1984) is a writer as well. In addition to his own indepedant work as an artist, he writes for magazines and newspapers about his own work, the work of others, photography in general and subjects related to his own work.

Jan Hoek has photographed amateur models, mentally ill homeless people in Africa, a girl with no arms and legs, a heroin addict who dreams of being a model, or people he has simply found in advertisements on the internet. The photo shoot is never what he expected, model and photographer always have different expectations. The model actually wants sex while Jan Hoek wants to shoot the dog. The model tries to be as glamorous as possible, while Jan wants to picture the decay. Photographing is not just about the image but also the relationship between the photographer and the model. How far can you go with your models? In the accompanying film, Me & My Models, Jan talks about the nasty, funny, painful or touching things that happen around photographing people.

“I believe there is always a certain degree of ethics involved in photography. It is almost impossible to take photographs of people without consciously, or unconsciously, crossing boundaries and with things happening that you don’t want or expect. I feel this is often covered up in photography, while I would like to show it … ”

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