Booth C26

Untitled, Art is an international, curated art fair founded in 2012 that focuses on curatorial balance and integrity across all disciplines of contemporary art. Untitled, Art innovates the standard fair model by selecting a curatorial team to identify, and curate a selection of galleries, artist-run exhibition spaces, and non-profit institutions and organizations, in dialogue with an architecturally designed venue. Since 2014 the curatorial team has consisted of Artistic Director Omar López-Chahoud with curators Christophe Boutin and Melanie Scarciglia. Untitled, Miami Beach will take place on the beach at Ocean Drive and 12th Street, November 30 – December 4, 2016.

JACCO OLIVIER (NL, 1972) works and lives in Amsterdam. Olivier attended the Rijksakademie and defines himself as a true painter, which is not always noticeable in his work. He uses video techniques to explore the process and act of painting. The moving images in his screenings show the process he went through as a painter and offers a journey through the many layers of paint on his canvas. Although his early works contain many realistic elements, Olivier sets no thematic agenda for the works or for their relationship to one another.

Olivier has been featured in recent solo exhibitions at Indianapolis Museum of Art, IN; GEM, The Hague, The Netherlands; Madison Square Park, New York; Centro de Arte de Caja de Burgos, Spain; and Blaffer Art Museum, Houston, TX, among others. He has been included in group exhibitions at various institutions, including Virginia Museum of Fine Arts, Richmond, VA; Rijksmuseum Twenthe, Enschede, The Netherlands; 56th Venice Biennale, Italy; 8th SITE Santa Fe biennial, NM; and MCA Denver, CO.

SEBASTIAAN BREMER (NL, 1970) works and lives in New York. Bremer works with photography and developed a style in which he uses different techniques to add an extra layer on the image. He continuously stretches the limits of photography and explores its endless possibilities. Painting, drawing, carving used in combination with photography, which he randomly finds, selects or owns. In the current times where everyone seems to be a photographer, Bremer brings back the artistic signature in photography by manually adjusting the image with paint, pen and encryptions.

Bremer’s work is part of several collections, including the Victoria & Albert Museum, London, UK; Museum of Modern Art, New York; Los Angeles County Museum of Art, CA; AKZO Nobel Collection, The Netherlands; and the Burger Collection. His artwork has been exhibited at the Tate Modern, London, UK; the Brooklyn Museum of Art, MoMA PS1, New York; GEM, The Hague, The Netherlands.

INTI HERNANDEZ (CU, 1976) Hernandez settled in Amsterdam after a residency at the Rijksakademie. Last year Hernandez was presented at UNTITLED. The tense relation between Cuba and the US is important for him, he divides his time in between Amsterdam and Cuba. Hernandez uses his art as a medium to create conversation and dialogue. Drawing a lot from his experiences with cultural changes and trying to build a common ground between his audience and himself. The result is a form of an encounter that tries to trigger self-reflection. His work brings people together in a non-biased setting. 

He is a frequent guest at the Havana Biennial. His work is part of the collection of the Museo Nacional de Bellas Artes, Cuba; Beth Rudin DeWoody, USA; and Museum Voorlinden, Wassenaar, The Netherlands. Hernandez has had solo exhibitions at Wilfredo LAM Centre, Cuba; Cifo Art Space, USA; the Ludwig Foundation, Cuba; and de Appel arts centre, The Netherlands amongst others. 


Kindly supported by Mondriaan Foundation

ABOUT Inti Hernandez

Inti Hernandez lives and works in between Amsterdam (The Netherlands) and Havana (Cuba).

The work of Inti Hernandez is embedded in the philosophy wherein life is defined as a perpetual flow of energy. In his view the question is no longer, “What can I pick out of this flow of energy to my personal liking and benefit?” but, "What could I contribute to this flow of life that is still missing?" Hernandez believes that by finding answers to this question your ideas will always be welcome and will allow you something in return.

Hernandez sees art as a medium to create conversation and dialogue. The very nature of his work embodies collaboration. He explores meanings and triggers reflection through his artistic process and through the interaction with those who engage with his work. The more ideas are adopted as another’s subject, the more energy they gather and the more they connect to something fundamental. When ideas mange to create conversations they become something undeniable.

Architecture and Industrial design are both disciplines very much interconnected with daily life. In his work Hernandez plays with their language and with their multidisciplinary habits. By doing so he ensures a special flavour of common sense in his results. Through this process Hernandez obtains vital impute out of the dialogue with people, their dreams, ideas, necessities, priorities, spontaneity and initiative. He sees art as an established institution, which can be developed into business cases and showcases so that many other interests can participate with it- supporting it and being supported by it and thus gaining a benefit from it.


ABOUT Jacco Olivier

Jacco Olivier was born in 1973 in Goes, The Netherlands
He lives and works in Amsterdam, The Netherlands

Jacco Olivier fuses painting and filmmaking by repeatedly reworking paintings in generous casual brush strokes and systematically photographing each development. The various stages are combined into projected animations. The resulting films are enigmatic and experiential – moving in and out of abstraction they reveal the traces and decisions made by the artist in the process of painting. While there is a clear and quite complex process involved in their creation, Olivier does not set a thematic agenda for the works, or for their relationship to one another. The films are instead imagined as windows onto converging, and often elegantly simple, moments of daily life – a bus journey, a swim in the ocean, or a walk through the woods. At this convergence of painting and cinema, however, lies an uneasy tension, a feeling that something is about to happen or has just happened that is unexpected and beyond our control.

Jacco Olivier is a graduate of the Rijksakademie van beeldende kunsten, Amsterdam. He has exhibited worldwide, notably at ZKM, Karlsruhe; Sammlung Goetz, Munich; Victoria Miro Gallery, London; Marianne Boesky Gallery, New York, NY; Dordrechts Museum, Dordrecht; MCA Denver, CO; The 56th Venice Biennial, Venice; Frans Hals Museum, Haarlem; New York City Center/New Museum, New York, NY, and GEM, The Hague. His art is held in many public collections, including Museum Voorlinden, Wassenaar; the Honart Museum, Tehran; the Zabludowicz Collection, London, and the Rubell Family Collection, Miami, FL. In 2019, he was awarded the Jeanne Oosting Prize for figurative painting in The Netherlands.


ABOUT Sebastiaan Bremer

Sebastiaan Bremer is renowned for transforming ordinary snapshots into grandly baroque and surreal tableaux by a careful process of retouching and enlargement. Since his first solo show, in 1994, he has exhibited in venues such as the Tate Gallery, London, the Brooklyn Museum of Art, New York, and the Aldrich Museum, Connecticut. He has been based in the United States since 1992.

Although Bremer has always been interested in photography, it wasn’t until the late 1990s that he began to draw directly on the surface of photographs. He has been inspired in part by nineteenth century spirit photography, and fin de siècle Symbolists such as the poet Rainer Maria Rilke, and painter Odilon Redon, but his methods partake of advanced photographic techniques. Often he will begin with a simple snapshot of friends or family or familiar places, and after enlarging it far beyond conventional dimensions, he will begin altering and embellishing the image with India ink and photographic dye.

He has often used the ink to produce fine patterns of lines reminiscent of cobwebs, or readings from seismographs. Photographic dyes also enable him to blur and mute some forms while accentuating others, and make some colors bloom while others recede into mysterious darkness. The result is an image that seems to literally vibrate with hidden consequence, as if the subject matter has sent cracks across the surface of the picture. Whilst Bremer’s choice of images inevitably grounds his work in his own biography, his imagery also makes reference to alchemy, art, and the occult, establishing unexpected connections between ordinary life, history, and the unconscious.

Sebastiaan Bremer lives and works in New York. He studied at the Vrije Academie, The Hague, and Skowhegan School of Art and Sculpture, Maine. He has published two major catalogs: Monkey Brain (2003), and Avila (2006). His work is included in the collections of the Museum of Modern Art, New York, and the Victoria and Albert Museum, London.