ABOUT THE FAIR

Westergasfabriek Klönneplein 1, Amsterdam

 

Isaac Julien Lives and works in London, UK
Internationally acclaimed installation artist and filmmaker Isaac Julien breaks down barriers between different artistic disciplines such as film, photography, installation, music, theatre and painting. Julien was nominated for the Turner Prize in 2001 and is represented in museums and private collections all over the world, including MoMA, Tate Modern, Centre Pompidou, Guggenheim Collection. On show: work from his most recent project PLAYTIME.

Levi van Veluw Lives and works in Arnhem, NL
Levi van Veluw studied at the ArtEZ Institute of the Arts in Arnhem. Since graduating in 2007, he has produced multi-disciplinary works that include photographs, videos, sculptures, installations and drawings. His work has been showcased in many different locations across Europe and the United States, earning him a number of nominations and awards. On show: new photographic and video work from the series Collapse of Cohesion.

Jasper de Beijer Lives and works in Amsterdam, NL
De Beijer uses models and staged scenes as a starting point for manipulated photographic images. His work has been presented in numerous international solo and group exhibitions, and is included in a large number of private and public collections, including Bank of America and Rabobank. On show: a selection from the new series Mr. Knight’s World Band Receiver.

Jan Hoek Lives and works in Amsterdam, NL
Jan Hoek studied ‘Image and Language’ at the Rietveld Academy, where he graduated in 2012. Hoek photographed a unique range of amateur models, such as people he found in advertisements on the internet. On show works from his serie New Ways of Photographing The New Masai.

Rik van Santen Lives and works in Amsterdam, NL
Rik van Santen studied at the Design Academy Eindhoven, HKU Photography and graduated this year at the Gerrit Rietveld Academy. The artist won the PHOTO TALENT AWARD (The Best of Graduates). On show: new works from his Berlin '14 series.

 

ABOUT Isaac Julien

Filmmaker and installation artist, Isaac Julien CBE RA, was born in 1960 in London, where he currently lives and works. His multi-screen film installations and photographs incorporate different artistic disciplines to create a poetic and unique visual language. His 1989 documentary-drama exploring author Langston Hughes and the Harlem Renaissance titled Looking for Langston garnered Julien a cult following while his 1991 debut feature Young Soul Rebels won the Semaine de la Critique prize at the Cannes Film Festival.

Having recently worked on conserving and restoring Looking for Langston images from his extensive archive, he exhibited of photographic works at Victoria Miro Gallery, London (2017), Jessica Silverman Gallery, San Francisco (2016) and Ron Mandos Gallery, Amsterdam (2016) with a screening of the film in its original 16mm print at Tate Britain.

Julien’s solo exhibitions and presentations include Zeitz Museum of Contemporary Art Africa (Zeitz MOCAA), Cape Town (2017); Platform-L Contemporary Art Centre, Seoul (2017); The Royal Ontario Museum, Toronto (2017); Fondation Louis Vuitton, Paris (2016); MAC Niterói, Rio de Janeiro (2016); Museo Universitario Arte Contemporáneo (MUAC), Mexico City (2016); De Pont Museum, Netherlands (2015); Museum of Modern Art, New York (2013); Art Institute of Chicago, Chicago (2013); The Bass Museum, Miami (2010); Museum Brandhorst, Munich (2009); Museum of Modern Art, Dublin (2005); Centre Pompidou, Paris (2005) and Moderna Museet, Stockholm (2005). His latest work, Stones Against Diamonds, was shown in 2015 as part of the Rolls-Royce Art Programme at the Venice Biennale, at Art Basel and Art Basel Miami Beach.

Julien participated in the Venice Biennale at the inaugural Diaspora Pavilion at the 57th edition in 2017 with Western Union: Small Boats. Previously, he presented Kapital and directed Das Kapital Oratorio in the 56th edition of the Venice Biennale, curated by Okwui Enwezor, in 2015. His work has also been exhibited in the 7th Gwangju Biennial, South Korea (2008); Prospect 1, New Orleans (2008); Performa 07, New York (2007) and in documenta 11, Kassel (2002).

Julien’s work is held in collections that include: Tate, London; the Museum of Modern Art, New York; Centre Pompidou, Paris; the Solomon R. Guggenheim Museum, New York; the Hirshhorn Museum and Sculpture Garden, Washington DC; the Albright-Knox Art Gallery, Buffalo, New York; Fondation Louis Vuitton, Paris; the LUMA Foundation, Arles; the Kramlich Collection; the Zeitz Museum of Contemporary Art (Zeitz MOCAA), Cape Town. In 2016 the Towner Art Gallery Collection (Eastbourne, UK) acquired Ten Thousand Waves (2010) as part of a Moving Image Fund program. Ten Thousand Waves, a globally acclaimed multiple screen installation work, premiered at the 2010 Sydney Biennale and has gone on to be exhibited extensively - recently at Platform-L in Seoul (2017) and Fondation Louis Vuitton in Paris (2016) as well as the Museum of Modern Art, New York in 2013, with whom he also published a comprehensive monographic survey of his life and work, titled ‘Riot’.

Julien has taught extensively, holding posts such as Chair of Global Art at University of Arts London (2014-2016) and Professor of Media Art at Staatliche Hoscschule fur Gestaltung, Karlsruhe, Germany (2008 – 2016). He is the recipient of the James Robert Brudner ‘83 Memorial Prize and Lectures at Yale University (2016). Most recently he received the Charles Wollaston Award (2017), for most distinguished work at the Royal Academy Summer Exhibition and in 2018, he was made a Royal Academician. Julien was awarded the title Commander of the Most Excellent Order of the British Empire (CBE) in the Queen’s birthday honours, 2017.

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ABOUT Jan Hoek

Jan Hoek (1984) is a writer as well. In addition to his own indepedant work as an artist, he writes for magazines and newspapers about his own work, the work of others, photography in general and subjects related to his own work.

Jan Hoek has photographed amateur models, mentally ill homeless people in Africa, a girl with no arms and legs, a heroin addict who dreams of being a model, or people he has simply found in advertisements on the internet. The photo shoot is never what he expected, model and photographer always have different expectations. The model actually wants sex while Jan Hoek wants to shoot the dog. The model tries to be as glamorous as possible, while Jan wants to picture the decay. Photographing is not just about the image but also the relationship between the photographer and the model. How far can you go with your models? In the accompanying film, Me & My Models, Jan talks about the nasty, funny, painful or touching things that happen around photographing people.

“I believe there is always a certain degree of ethics involved in photography. It is almost impossible to take photographs of people without consciously, or unconsciously, crossing boundaries and with things happening that you don’t want or expect. I feel this is often covered up in photography, while I would like to show it … ”

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