ABOUT THE FAIR

Pier 94, booth 818

New York City

This year's theme for Galerie Ron Mandos is Dark Matters. The artists in Dark Matters explore the misty recesses of a dark universe. They show a world that seems to be neither utopian nor dystopian, a place whose nature does not immediately reveal it self. What does this world tell us? Meaning is not given. However, there is room for reflection on our own time and ourselves. Universal themes, such as growth and destruction are depicted in the works on show.

Anthony Goicolea
Lives and works in New York, USA
Anthony Goicolea studied Sculpture and Photography at the Pratt Institute of Art. He works in different disciplines including photography, drawing, painting and video. His work has been exhibited internationally and is held in public collections such as the Whitney Museum of American Art, the Guggenheim Museum of Art and the Museum of Modern Art NY.

Ryan McGinness
Lives and works in New York, USA
McGinness's work consists of an amalgam of icons and symbols. His work resolves the clinical graphic aesthetics of media as vast, contemplative fields of intimate meditation. It incorporates strong social commentary on iconography, language, and historical and contemporary symbolism. His graphic drawings and personal iconography are replicated, re-contextualized, and materialized infinitely throughout his densely layered paintings. Included in international collections such as Museum of Contemporary Art, San Diego and Museum of Contemporary Art, Tokyo.  

Aldo van den Broek
Lives and work in Berlin, DE
Van den Broek is known for his huge, multi-layered, outspoken paintings and collages. History, underground, punk and romanticism, architecture and people meet in his works. He is fascinated by the urge of people to strive for safety and freedom simultaneously and the deconstruction that normally follows. In the organic process of Van den Broek, his paintings are constantly transforming. His work are held in many private collections. 

Renie Spoelstra
Lives and works in Rotterdam, NL
The intention of the huge charcoal drawings of Spoelstra is to let the viewer experience an atmosphere of deliberate apathy; hours and days go by in a split second, every moment frozen in time and every moment equal to the other. Consequently, characteristics of actual observations are diminished, making the unique more common and indefinite, so that they can function as a substitute for many similar places. Her works are included in collections as Dreyfus Family, Vervoordt, Guerlain, the Nederlandsche Bank, Caldic, Picardie France and many more.

Hans Op de Beeck
Lives and works in Brussels, BE
Op de Beeck has developed his career through international exhibitions over the past ten years. His work consists of sculptures, installations, video work, photography, animated films, drawings, paintings and writing (short stories). It is his quest for the most effective way of presenting the concrete contents of each work that determines the medium that the artist ultimately selects. Included in many collections such as The Hirshhorn Museum, Washington and MIT List Visual Arts Center, Cambridge, MA. 

Levi van Veluw
Lives and works in Amsterdam, NL
Levi van Veluw studied at the ArtEZ Institute of the Arts in Arnhem. Since graduating in 2007, he has produced multi- disciplinary works that include photographs, videos, sculptures, installations and drawings. His works has been showcased in many different locations across Europe and the United States, earning him a number of nominations and awards. Included in numerous prominent private and publicly held collections worldwide. 

Jasper de Beijer
Lives and works in Amsterdam, NL
De Beijer is a versatile artist with a distinctive way of working. He is an avid painter and developed scale models which he used as the basis for his manipulated photographic series. Mr. Knight's World Band Receiver is the twelfth project within the artist's body of work. His works are included in many collections as the Bank of America, Rabobank and Menzis. 

 

FAIR IMAGES

FAIR ARTWORKS

ABOUT Anthony Goicolea

Born in 1971 in Atlanta, Georgia, USA
Lives and works in New York

Anthony Goicolea (USA, 1971) is a first-generation Cuban American artist. He grew up in the Deep South of the United States of America, in the midst of the Cuban refugee crises, coupled with the advent of the AIDS crises, and the rise of the religious right. Goicolea was socially stigmatised for being Cuban, gay, and Catholic. These circumstances brought about a heightened awareness of social constructs, and the changing nature of identity in politics – a theme that continually influences his work. Goicolea explores themes ranging from personal history and identity, cultural tradition and heritage, to alienation and displacement.

His diverse oeuvre encompasses digitally manipulated self-portraits, landscapes, and narrative tableaux executed in a variety of media, including black-and-white and color photography, sculpture and video installations, and multi-layered drawings on Mylar. Best known for his powerful, and often unsettling, staged photographic and video works, Goicolea made his artistic debut in the late 1990s with a series of provocative multiple self-portrait images. These early works featured groups of young boys on the threshold of adolescence, acting out childhood fantasies and bizarre rituals of revelry and social taboo in highly staged domestic or institutional settings or dense, fairy-tale forests. Revealing a playful self-consciousness, they often consisted of complex composites of the artist himself, in all manner of poses and guises. Soon thereafter, Goicolea garnered international attention with his ambiguous, yet strangely compelling, landscapes, ranging from dream-like woodland environments to vast, unforgiving urban and industrial wastelands. The artist has created several series of digitally composited, and heretofore uncharted, topographies, often populated by bands of masked and uniformed figures.

In recent series, many of the images are devoid of humans, although the landscape reflects an anonymous and increasingly tenuous human presence. In these works, primitive lean-tos and crudely constructed shanties coexist in an uneasy union with the technological vestiges of an industrialized society. Suggesting a world on the brink of obsolescence, these chilling images further cement the pervasive undercurrent of human alienation—from one another as well as the natural environment—that can be traced throughout the artist’s work.

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ABOUT Hans Op de Beeck

Hans Op de Beeck (Be) produces large installations, sculptures, films, drawings, paintings, photographs and texts. His work is a reflection on our complex society and the universal questions of meaning and mortality that resonate within it.

He regards man as a being who stages the world around him in a tragi-comic way. Above all, Op de Beeck is keen to stimulate the viewers’ senses, and invite them to really experience the image. He seeks to create a form of visual fiction that delivers a moment of wonder, silence and introspection.

Hans Op de Beeck was born in Turnhout in 1969. He lives and works in Brussels and Gooik, Belgium. Op de Beeck has shown his work extensively in solo and group exhibitions around the world.

He has had substantial institutional solo shows at the GEM Museum of Contemporary Art of The Hague, The Hague, NL (2004); MUHKA Museum of Contemporary Art, Antwerp, B (2006); Centraal Museum, Utrecht, NL (2007); the Smithsonian’s Hirshhorn Museum and Sculpture Garden, Washington DC, US (2010); Kunstmuseum Thun, CH (2010); Centro de Arte Caja de Burgos, Burgos, ES (2010); Butler Gallery, Kilkenny, IRL (2012); Kunstverein Hannover, D (2012); Tampa Museum of Art, Tampa, USA (2013); the Harn Museum of Art, Gainesville, FL, USA (2013); FRAC Paca, Marseille, F (2013); MIT List Visual Arts Center, Cambridge, Boston MA, US (2014); MOCA Cleveland, OH, US (2014); Sammlung Goetz, Munich, D (2014); Screen Space, Melbourne, AU (2015); Espace 104, Paris, FR (2016); Art Unlimited, Basel, CH (2016); Kunstraum Dornbirn, Dornbirn, AU (2017); Museum Morsbroich, Leverkusen, DE (2017); Kunstmuseum Wolfsburg, Wolfsburg, DE (2017); Fondazione Museo Pino Pascali, Polignano a Mare, IT (2017); ...

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ABOUT Renie Spoelstra

 

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ABOUT Ryan McGinness

“I’m trying to communicate complex and poetic concepts with a cold, graphic, and authoritative visual vocabulary. I concentrate on shape, line, color, and composition to communicate within simplified picture planes. As such, the work resides somewhere between abstraction and representation.

At the essence of our being is the need to know and the need to understand. I am interested in our need to read into and interpret—to make sense of chaos and give meaning to seemingly abstract forms. This interpretation involves an egocentric faith in the fact that there must be a meaning for us to understand. We surrender our logic to the belief that answers do indeed exist, and so, by default, we invent them. With my work, interpretations are not absolute, but guided, to allow for multiple reads. This allows the viewer to bring to the work his own history, memories, and knowledge to find a personalized meaning.”
— Ryan McGinness, 2005

Ryan McGinness’s work consists of an amalgam of icons and symbols. Drawing from his background in the design industry, Ryan McGinness’s work resolves the clinical graphic aesthetics of media as vast, contemplative fields of intimate meditation. It incorporates strong social commentary on iconography, language, and historical and contemporary symbolism. His graphic drawings and personal iconography are replicated, recontextualized, and materialized infinitely throughout his densely layered paintings.

Born and raised in the surf and skate culture of Virginia Beach, Virginia, McGinness moved on to study at Carnegie Mellon University in Pittsburgh, Pennsylvania as an Andrew Carnegie Scholar. During college, he worked at the Andy Warhol Museum as a curatorial assistant, which inevitably influenced his proclivity toward pop and graphic aestheticism. Known for his original extensive vocabulary of graphic drawings that use the visual language of public signage, corporate logos, and contemporary iconography, McGinness creates paintings, sculptures, and environments and fabricate the iconography of contemporary experience as spiritual and timeless.

McGinness’s work can be found in such art institutions as The Museum of Modern Art in New York, The Museum of Contemporary Art San Diego and the Cincinnati Art Museum, and private and corporation collections including the Neuberger Berman Collection, the Schwab Family Collection, and the Charles Saatchi Collection.

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