ABOUT THE FAIR

Galerie Ron Mandos is excited to be part of the 2022 edition of Art Cologne at the Koelnmesse in Cologne, taking place from November 16 to November 20, 2022. This year’s presentation includes a selection of works by Daniel Arsham, Hans op de Beeck, Isaac Julien, Katinka Lampe and Erwin Olaf. As the oldest art fair in the world, Art Cologne is the most important industry meeting point for galleries and institutions in Germany and has been an occasion for generations of art collectors to discover, collect, exchange ideas and establish new contacts.

Practical Information about the fair here

ABOUT Erwin Olaf

Erwin Olaf is an internationally exhibiting artist whose diverse practice centers around society’s marginalized individuals, including people of color, and the LGBTQ+ community. In 2019 Olaf became a Knight of the Order of the Lion of the Netherlands after 500 works from his oeuvre were added to the collection of the Rijksmuseum. Taco Dibbits, Rijksmuseum director, called Olaf “one of the most important photographers of the final quarter of the 20th century”.

In 2018, Olaf completed a triptych of monumental photographic and filmic tableaux portraying periods of seismic change in major world cities, and the citizens embraced and othered by their urban progress. Like much of his work, it is contextualized by complex race relations, the devastation of economic divisions, and the complications of sexuality. Olaf has maintained an activistic approach to equality throughout his 40-year career after starting out documenting pre-AIDS gay liberation in Amsterdam’s nightlife in the 1980s.

A bold and sometimes controversial approach has earned the artist a number of prestigious collaborations, from Vogue and Louis Vuitton, to the Stedelijk Museum Amsterdam. He served as the official portrait artist for the Dutch royal family in 2017, and designed the national side of the euro coins for King Willem-Alexander in 2013. He has been awarded the Netherlands’ prestigious Johannes Vermeer Award, as well as Photographer of the Year at the International Color Awards, and Kunstbeeld magazine’s Dutch Artist of the Year.

Erwin Olaf has exhibited worldwide, including Centro de Arte Contemporáneo de Málaga, Málaga, Spain; Museu da Imagem e do Som, São Paulo, Brazil; Martin-Gropius-Bau, Berlin, Germany; Southeastern Center for Contemporary Art, Winston-Salem, North Carolina, USA; and Museo de Arte Contemporáneo, Santiago, Chile. In the spring of 2019, Olaf’s work was the subject of a double exhibition at Kunstmuseum The Hague and The Hague Museum of Photography, as well as a solo exhibition at the Shanghai Center of Photography. In 2021, Erwin Olaf had his first solo exhibition Im Wald at Galerie Ron Mandos and mounted a large survey exhibition at Kunsthalle München, Germany.

Olaf’s work is included in numerous private and public collections, such as the Rijksmuseum and Stedelijk Museum, both in Amsterdam, The Netherlands; Fonds National d’Art Contemporain, Paris, France; Museum Ludwig, Cologne, Germany; Museum Voorlinden, Wassenaar, The Netherlands, North Carolina Museum of Art, Raleigh, United States; Art Progressive Collection, United States, and the Pushkin Museum, Moscow, Russia.

Erwin Olaf was born in 1959 in Hilversum, The Netherlands
He lives and works in Amsterdam, The Netherlands

Visit the artist’s website here.

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ABOUT Katinka Lampe

Katinka Lampe traverses the realms of figurative, expressionist, and abstract painting in her soft, yet uncanny, portraits. Her works, though imbued with a sense of realism, are not meant to represent those that they depict. Resemblance is not the defining characteristic of these pieces. Instead, the artist sees the figures as visual impressions that, once transformed by her gaze, become representative of larger themes within society, rather than the individual.

Lampe often uses accessories loaded with connotation to provoke loose characterizations of theme and mood. The imposed roles played by her models, their poses, expressions, and their way of being dressed, mostly copied from magazines, the internet or old master paintings, obscure their personality and provoke deeper and subjective meaning in the minds of the viewers. Through these juxtapositions the artist explores important societal themes relating to identity, aging, color, and the ever-growing dependence on media.

Katinka Lampe is an artist based in Rotterdam, The Netherlands. She received her degree from the Academy of Art and Design St. Joost in ‘s Hertogenbosch, The Netherlands. Her work has been widely exhibited internationally in a variety of galleries, museums, and prominent art fairs such as Museum Arnhem, Arnhem,NL: Museum Van Loon, Amsterdam, NL; Singer Museum, Laren, NL, Museum Jan Cunen, Oss, NL ; Untitled Art San Francisco, USA and Untitled, Art, Miami Beach, USA. Her work is included in the collections of 21C Museum Hotels, USA; West Sun Capital Collection, Montreal,CA: Museum Arnhem, Arnhem, NL; APMA, AmorePacific Museum of Art Seoul, KR; Museum van Loon, Amsterdam, NL; C.N.A.P Centre National des Arts Plastique, Paris, FR; Museum More, Gorssel, NL; Schunck*, Heerlen, NL; Akzo Nobel Art Foundation, Amsterdam,Nl; De Nederlandsche Bank, Amsterdam, NL; ING Collection, Amsterdam, NL; Art Curial, Paris, FR; Frisseras Museum Athens, GR, and Cobra to Contemporary/The Brown Family Collection.

Katinka Lampe was born in 1963 in Tilburg, NL
She lives and works in Rotterdam, NL

https://katinkalampe.nl/

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ABOUT Daniel Arsham

Born in 1980 in Cleveland Ohio, OH, USA
Lives and works in New York, NY, USA

New York based artist Daniel Arsham work explores the fields of fine art, architecture, performance, design and film. Raised in Miami, Arsham attended the Cooper Union in New York City where he received the Gelman Trust Fellowship Award in 2003.

Soon thereafter Arsham toured worldwide with the Merce Cunningham Dance Company as the company’s stage designer. The experience lead to an ongoing collaborative practice which continues as Arsham works with world renowned artists, musicians, designers, and brands.

Arsham’s uchronic aesthetics revolves around his concept of fictional archaeology. Working in sculpture, architecture, drawing and film, he creates and crystallizes ambiguous in-between spaces or situations, and further stages what he refers to as future relics of the present. Always iconic, most of the objects that he turns into stone refer to the late 20th century or millennial era, when technological obsolescence unprecedentedly accelerated along with the digital dematerialization of our world. While the present, the future and the past poetically collide in his haunted yet playful visions between romanticism and pop art, Daniel Arsham also experiments with the timelessness of certain symbols and gestures across cultures.

In 2008, Arsham co-founded Snarkitecture with architect Alex Mustonen. Snarkitecture is a collaborative design practice established to investigate the boundaries between the disciplines of art and architecture. Snarkitecture focuses on the reinterpretation of everyday materials, structures and programs to new and imaginative effect. The studio’s work includes installations, architectural environments and objects for a diverse range of clients such as Beats by Dre, Calvin Klein, COS, Design Miami, Gufram, Kith, New Museum, and Valextra.

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ABOUT Hans Op de Beeck

Hans Op de Beeck was born in 1969 in Turnhout, Belgium. He lives and works in Brussels, Belgium.

Hans Op de Beeck produces large installations, sculptures, films, drawings, paintings, photographs and texts. His work is a reflection on our complex society and the universal questions of meaning and mortality that resonate within it. He regards man as a being who stages the world around him in a tragi-comic way. Above all, Op de Beeck is keen to stimulate the viewers’ senses, and invite them to really experience the image. He seeks to create a form of visual fiction that delivers a moment of wonder and silence.

Over the past twenty years Op de Beeck realized numerous monumental ‘sensorial’ installations, in which he evoked what he describes as ‘visual fictions’: tactile deserted spaces as an empty set for the viewer to walk through or sit down in, sculpted havens for introspection. In many of his films though, in contrast with those depopulated spaces, he prominently depicts anonymous characters.

Hans Op de Beeck was born in Turnhout in 1969. He lives and works in Brussels, Belgium. Op de Beeck has shown his work extensively in solo and group exhibitions around the world.

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ABOUT Isaac Julien

Sir Isaac Julien, CBE RA is a critically acclaimed British artist and filmmaker. In 2018, Julien joined the faculty at the University of California Santa Cruz where he is a distinguished professor of the arts and leads the Isaac Julien Lab together with Arts Professor Mark Nash. Current and recent international solo exhibitions include: Isaac Julien: Lina Bo Bardi — A Marvellous Entanglement, CentroCentro (Panorama Madrid), Madrid, Spain, on view until 29 August 2021; Isaac Julien: Lessons of the Hour, McAvoy Foundation for the Arts, San Francisco (2020–2021); Isaac Julien: Lina Bo Bardi — A Marvellous Entanglement, MAXXI, Rome (2020–2021); Isaac Julien: Western Union: Small Boats, Neuberger Museum, New York (2020); Isaac Julien: Frederick Douglass: Lessons of the Hour, SCAD Museum of Art, Savannah (2019); Looking for Langston at Tate Britain (2019); and Playtime at LACMA (2019). Julien has previously exhibited at venues including Museum of Modern Art, New York (2013), Art Institute of Chicago (2013), Museum of Contemporary Art, San Diego (2012), and Centre Georges Pompidou, Paris (2005). Julien is the recipient of The Royal Academy of Arts Charles Wollaston Award 2017 and was appointed a Commander of the Order of the British Empire (CBE) in 2017.

Isaac Julien was born in 1960, London, UK
He lives and works in London, UK and Santa Cruz, CA

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