ABOUT THE FAIR

Booth A11 and B10

Galerie Ron Mandos at Art Brussels 2017

We are proud to attend Art Brussels 2017, both in the PRIME section with five of our internationally acclaimed artists and with a SOLO booth presenting MOHAU MODISAKENG (SA, 1986).
 
Vernissage: Thursday April 20
Fair: Friday April 21 - Sunday April 23
Location: Tour & Taxis, Avenue du Port 86C, BE - 1000 Brussels
Booths: A11 (SOLO) & B10 (PRIME)
 
MOHAU MODISAKENG (SA, 1986) uses material, metaphor and the black body as tools to explore the influence of South Africa's violent history that has been ignored in today's society. The works explore our cultural, political, and social roles as human beings in post-colonial Africa and in particular post-apartheid South Africa. Represented through film, large-scale photographic prints, installations and performances, his work "doesn't start off with an attempt to portray violence but it becomes mesmerising because although we might recognise history as our past, the body is indifferent to social changes, so it remembers." (Mohau Modisakeng)

HANS OP DE BEECK (BE, 1969) creates large installations, sculptures, films, drawings, paintings, photographs and texts. His work is a reflection of our complex society and the universal questions of meaning and mortality that resonate within it. Op de Beeck is keen to stimulate the viewers' senses, and invites them to immerse themselves in the image. He seeks to create a form of visual fiction that delivers a moment of wonder, silence and introspection. At Art Brussels we will present works from, amongst others, the series Vanitas. Op de Beeck lives and works in Brussels, Belgium.
His work has been shown at GEM, The Hague, MUHKA,Antwerp, The Smithsonian's Hirshhorn Museum and Sculpture Garden, Washington DC, Sammlung Goetz, Munich, La Biennale di Venezia, Shanghai Biennale, Tate Modern,London, and many more. Right now Op de Beeck has an immense 2200 m2 retrospective "Out of the Ordinary" at theKunstmuseum Wolfsburg, running from 09.04.17-03.09-17.

ISAAC JULIEN (UK,1960) works and lives in London. At Art Brussels we will show works from his seminal poetic filmLooking for Langston. The series is an homage to the American writer and poet Langston Hughes and the Harlem Renaissance. The photographic works surrounding the film explore the fractured narratives of memory and desire. The ambiguous sexual subtexts of a period of rich artistic expression and the enduring cultural significance of these pioneers' work is highlighted. Julien studied the works by James Van der Zee, George Platt Lynes and Robert Mapplethorpe in the making of this series.
His work has been shown at, amongst others, The Whitney Museum, New York, Centre Pompidou, Paris, Moderna Museet, Stockholm, Serpentine Gallery, London, Museum of Modern Art, New York, Tate Modern, London, La Biennale di Venezia, Guggenheim Collection, and the Louis Vuitton Art Foundation. 

LEVI VAN VELUW (NL, 1985) produces multi-disciplinary works that include photographs, videos, sculptures, installations and drawings. At Art Brussels van Veluw will present works from his latest series The Monolith. His layered multi-disciplinary works of sublime design, modernist architecture and disruptive environments possess a strange, unreal beauty with no perception of time, space and reality. Many of his works feature a combination of grids and geometric forms, which explore the idea of a deep immeasurable space.
Van Veluw's works where shown at, amongst others, The Bass Museum of Art, Miami, Centro Nacional de las Artes, Mexico City, Design Museum, London, Musée d'Art Contemporain de Montréal, The Phillips Collection, Washington D.C, Marres House for Contemporary Culture, Maastricht and most recently with a solo presentation at The Armory Show, New York. 

KATINKA LAMPE (NL, 1963) creates paintings that appear to be portrait-like at first, however the focus is not on those portrayed. The models have been stripped of personal qualities and individual characteristics. Rather, they convey a feeling or expression and are a medium through which Lampe's interpretation of her surroundings can be depicted. Through this distance to portraiture, Lampe has the freedom to add and remove aspects of the whole. These powerful and sensitive works are tools through which the artist expresses her view of the world. Lampe studied at the Academy of Art and Design in Eindhoven. Her works have been exhibited atMuseum van Loon, Amsterdam, Lieux Communs, Belgium, Stedelijk Museum, Amsterdam, Frisseras Museum, Greece and APMA, South Korea. Lampe's works belong in private and corporate collections such as De Nederlandsche Bank, Amsterdam, AKZO Art Foundation, Amsterdam, The Hugo & Carla Brown Collection, The Hague, De Heus Collection, Barneveld and C.N.A.P, Paris.

BORIS TELLEGEN (NL,1969) began his artistic career in the 80's as a graffiti artist. He distinguished himself by breaking away from the 2 dimensional surface which he initially worked on. At Art Brussels we will bring some of his latest smaller collage works. These layered and colourful pieces still contain the urban atmosphere of his early works, with an extra dimension of depth. Tellegen currently has an exhibition at MiMa, Brussels, entitled 'Delta: A Friendly Takeover'. We have a number of his works available.

ABOUT Isaac Julien

Filmmaker and installation artist, Isaac Julien CBE RA, was born in 1960 in London, where he currently lives and works. His multi-screen film installations and photographs incorporate different artistic disciplines to create a poetic and unique visual language. His 1989 documentary-drama exploring author Langston Hughes and the Harlem Renaissance titled Looking for Langston garnered Julien a cult following while his 1991 debut feature Young Soul Rebels won the Semaine de la Critique prize at the Cannes Film Festival.

Having recently worked on conserving and restoring Looking for Langston images from his extensive archive, he exhibited of photographic works at Victoria Miro Gallery, London (2017), Jessica Silverman Gallery, San Francisco (2016) and Ron Mandos Gallery, Amsterdam (2016) with a screening of the film in its original 16mm print at Tate Britain.

Julien’s solo exhibitions and presentations include Zeitz Museum of Contemporary Art Africa (Zeitz MOCAA), Cape Town (2017); Platform-L Contemporary Art Centre, Seoul (2017); The Royal Ontario Museum, Toronto (2017); Fondation Louis Vuitton, Paris (2016); MAC Niterói, Rio de Janeiro (2016); Museo Universitario Arte Contemporáneo (MUAC), Mexico City (2016); De Pont Museum, Netherlands (2015); Museum of Modern Art, New York (2013); Art Institute of Chicago, Chicago (2013); The Bass Museum, Miami (2010); Museum Brandhorst, Munich (2009); Museum of Modern Art, Dublin (2005); Centre Pompidou, Paris (2005) and Moderna Museet, Stockholm (2005). His latest work, Stones Against Diamonds, was shown in 2015 as part of the Rolls-Royce Art Programme at the Venice Biennale, at Art Basel and Art Basel Miami Beach.

Julien participated in the Venice Biennale at the inaugural Diaspora Pavilion at the 57th edition in 2017 with Western Union: Small Boats. Previously, he presented Kapital and directed Das Kapital Oratorio in the 56th edition of the Venice Biennale, curated by Okwui Enwezor, in 2015. His work has also been exhibited in the 7th Gwangju Biennial, South Korea (2008); Prospect 1, New Orleans (2008); Performa 07, New York (2007) and in documenta 11, Kassel (2002).

Julien’s work is held in collections that include: Tate, London; the Museum of Modern Art, New York; Centre Pompidou, Paris; the Solomon R. Guggenheim Museum, New York; the Hirshhorn Museum and Sculpture Garden, Washington DC; the Albright-Knox Art Gallery, Buffalo, New York; Fondation Louis Vuitton, Paris; the LUMA Foundation, Arles; the Kramlich Collection; the Zeitz Museum of Contemporary Art (Zeitz MOCAA), Cape Town. In 2016 the Towner Art Gallery Collection (Eastbourne, UK) acquired Ten Thousand Waves (2010) as part of a Moving Image Fund program. Ten Thousand Waves, a globally acclaimed multiple screen installation work, premiered at the 2010 Sydney Biennale and has gone on to be exhibited extensively - recently at Platform-L in Seoul (2017) and Fondation Louis Vuitton in Paris (2016) as well as the Museum of Modern Art, New York in 2013, with whom he also published a comprehensive monographic survey of his life and work, titled ‘Riot’.

Julien has taught extensively, holding posts such as Chair of Global Art at University of Arts London (2014-2016) and Professor of Media Art at Staatliche Hoscschule fur Gestaltung, Karlsruhe, Germany (2008 – 2016). He is the recipient of the James Robert Brudner ‘83 Memorial Prize and Lectures at Yale University (2016). Most recently he received the Charles Wollaston Award (2017), for most distinguished work at the Royal Academy Summer Exhibition and in 2018, he was made a Royal Academician. Julien was awarded the title Commander of the Most Excellent Order of the British Empire (CBE) in the Queen’s birthday honours, 2017.

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ABOUT Katinka Lampe

Born in 1963 in Tilburg, NL
Lives and works in Rotterdam, NL

Katinka Lampe traverses the realms of figurative, expressionist, and abstract painting in her soft, yet uncanny, portraits. Her works, though imbued with a sense of realism, are not meant to represent those that they depict. Resemblance is not the defining characteristic of these pieces. Instead, the artist sees the figures as visual impressions that, once transformed by her gaze, become representative of larger themes within society, rather than the individual.

Lampe often uses accessories loaded with connotation to provoke loose characterizations of theme and mood. The imposed roles played by her models, their poses, expressions, and their way of being dressed, mostly copied from magazines, the internet or old master paintings, obscure their personality and provoke deeper and subjective meaning in the minds of the viewers. Through these juxtapositions the artist explores important societal themes relating to identity, aging, color, and the ever-growing dependence on media.

Katinka Lampe is an artist based in Rotterdam, The Netherlands. She received her degree from the Academy of Art and Design St. Joost in ‘s Hertogenbosch, The Netherlands. Her work has been widely exhibited internationally in a variety of galleries, museums, and prominent art fairs such as Museum Arnhem, Arnhem,NL: Museum Van Loon, Amsterdam, NL; Singer Museum, Laren, NL, Museum Jan Cunen, Oss, NL ; Untitled Art San Francisco, USA and Untitled, Art, Miami Beach, USA. Her work is included in the collections of 21C Museum Hotels, USA; West Sun Capital Collection, Montreal,CA: Museum Arnhem, Arnhem, NL; APMA, AmorePacific Museum of Art Seoul, KR; Museum van Loon, Amsterdam, NL; C.N.A.P Centre National des Arts Plastique, Paris, FR; Museum More, Gorssel, NL; Schunck*, Heerlen, NL; Akzo Nobel Art Foundation, Amsterdam,Nl; De Nederlandsche Bank, Amsterdam, NL; ING Collection, Amsterdam, NL; Art Curial, Paris, FR; Frisseras Museum Athens, GR, and Cobra to Contemporary/The Brown Family Collection.

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ABOUT Mohau Modisakeng

Born in 1986 in Soweto, South Africa
Lives and works between Johannesburg and Cape Town.

Material, metaphor and the black body are the tools that Mohau Modisakeng uses to explore the influence of South Africa’s violent history that has been ignored in today’s society, on how we understand our cultural, political, and social roles as human beings in post-colonial Africa and in particular post-apartheid South Africa. Represented through film, large-scale photographic prints, installations and performances, his “work doesn’t start off with an attempt to portray violence but it becomes mesmerising because although we might recognise history as our past, the body is indifferent to social changes, so it remembers.”

Born in Soweto, an epicentre of black urbanity and cosmopolitan culture, the multi-award winning Mohau Modisakeng is a product of Cape Town’s Michaelis School of Fine Art. Mentored by Jane Alexander and predominantly working and training in sculpture, he completed his undergraduate degree in 2009 then completed his Masters degree at the same institution. He was awarded the SASOL New Signatures Award for 2011 and has exhibited at Armory Show, New York (2016); Saatchi Gallery, London (2012); Dak’Art Biennale, Dakar (2012); Focus 11 and Basel (2011). In 2013 Modisakeng produced an ambitious new video work in association with Samsung as a special project for the 2013 FNB Joburg Art Fair. His work is included in public collections such as the Johannesburg Art Gallery, IZIKO South African National Gallery, Cape Town and SAATCHI Gallery, London as well as significant private collections such as Zeitz MOCAA.

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ABOUT Hans Op de Beeck

Hans Op de Beeck was born in 1969 in Turnhout, BE
He lives and works in Brussels, BE

Visual artist Hans Op de Beeck lives and works in Brussels, where he has developed his career through international exhibitions over the past twenty years. His work consists of sculptures, installations, video work, photography, animated films, drawings, paintings and writing (short stories). It is his quest for the most effective way of presenting the concrete contents of each work that determines the medium that the artist ultimately selects. The scale can vary from the size of a small watercolour to a large, three-dimensional installation of 600m2.

The artist not only uses a very wide variety of media, but also deliberately employs a diversity of aesthetic forms, ranging from an economical, minimalist visual language to overloaded, exaggerated designs, always with the aim of articulating the content of the work as precisely as possible.

Thematically, the work concentrates on our laborious and problematic relationship with time, space and each other. Op de Beeck shows the viewer non-existent, but identifiable places, moments and characters that appear to have been taken from contemporary everyday life, aiming thereby to capture in his images the tragicomic absurdity of our postmodern existence. Key themes are the disappearance of distances, the disembodiment of the individual and the abstraction of time that have resulted from globalisation and the changes to our living environment that developments in media, automation and technology have brought about.

Hans Op de Beeck sometimes calls his works “proposals”; they are irrefutably fictional, constructed and staged, leaving it up to the viewer whether to take the work seriously, as a sort of parallel reality, or immediately to put it into perspective, as no more than a visual construct. His work is nourished by a keen interest in social and cultural reflection. The artist also questions the difficult relationship between reality and representation, between what we see and what we want to believe, between what is and what we create for ourselves in order to make it easier to deal with our own insignificance and lack of identity. The visual output of that investigation often produces slumbering, insidious, melancholy and astonishing images.

Multi-disciplinary artist Hans Op de Beeck creates interworlds. Suspended between past and future, fiction and reality, his works sound out a mirage-like contemporary universe and a sensory vertigo where the familiar rubs shoulders with the strange. From installation to sculpture, from video to animated film, from short stories to painting and drawing, from photography to sound material, the media he employs seem to converge on the definition of a topos: a mental theatre that projects the viewer into a reflexive social and cultural experience, the intimate thinking of the human condition. —Eva Prouteau

Op de Beeck has shown his work extensively in solo and group exhibitions around the world. He has had substantial institutional solo shows at the GEM Museum of Contemporary Art of The Hague, The Hague, NL (2004); MUHKA Museum of Contemporary Art, Antwerp, BE (2006); Centraal Museum, Utrecht, NL (2007); the Smithsonian’s Hirshhorn Museum and Sculpture Garden, Washington DC, US (2010); Kunstmuseum Thun, CH (2010); Centro de Arte Caja de Burgos, Burgos, ES (2010); Butler Gallery, Kilkenny, IRL (2012); Kunstverein Hannover, D (2012); Tampa Museum of Art, Tampa, USA (2013); the Harn Museum of Art, Gainesville, FL, USA (2013); FRAC Paca, Marseille, F (2013); MIT List Visual Arts Center, Cambridge, Boston MA, US (2014); MOCA Cleveland, OH, US (2014); Sammlung Goetz, Munich, D (2014); Screen Space, Melbourne, AU (2015); Espace 104, Paris, FR (2016); Art Unlimited, Basel, CH (2016); Kunstraum Dornbirn, Dornbirn, AU (2017); Museum Morsbroich, Leverkusen, DE (2017); Kunstmuseum Wolfsburg, Wolfsburg, DE (2017); Fondazione Museo Pino Pascali, Polignano a Mare, IT (2017); His work is included in museum collections of the Centre Pompidou, Paris; the Royal Museum for Modern and Fine Arts, Brussels; Museum Voorlinden, Wassenaar; Museum Arnhem, Arnhem; the ING Art Collection, Amsterdam; the Akzo Nobel Art Foundation, Amsterdam, and Cobra to Contemporary/The Brown Family Collection.

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ABOUT Boris Tellegen

Born in 1968, Amsterdam, The Netherlands
Lives and works in Amsterdam, The Netherlands

Boris Tellegen (NL, 1968) began his artistic career in the 1980s, using his pseudonym DELTA. As a Graffiti artist, Tellegen treated the two-dimensional frame of the letter and the word as sculpture, bursting out or morphing into the wall, piercing its boundaries by adding a dimension. By combining the reliefs of his practice with his education in industrial design, he soon started to create three-dimensional work on the intersection of architecture, painting, sculpture and installation.

In his body of work made over a thirty-year span, Tellegen explores how to transcend the boundaries of walls by annexing, deconstructing and recomposing them, to ultimately disregard them in recent installations. Through the ever-fluctuating shape of his work, Tellegen continues to disrupt our perception of surface and space.

Boris Tellegen received his education in Industrial Design Engineering at the Technical University of Delft (NL, 1988-94). Tellegen has exhibited widely in European, North American and Australian museums, institutions and galleries. Recent exhibitions include MIMA, Brussels (BE, 2017), Les Abattoirs, Toulouse (FR, 2016), Amsterdam Museum (NL, 2015) and Palais de Tokyo, Paris (FR, 2014). Tellegen regularly creates commissioned sculptures in the public spaces. A recent example is a series of sculptures between Amersfoort and Utrecht in the framework of De Stijl’s centenary celebration (NL, 2017).

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